Hair
1979 · 121 min · Director: Milos Forman
Show plot summary (may contain spoilers)
Upon receiving his draft notice and leaving his family ranch in Oklahoma, Claude heads to New York and befriends a tribe of long-haired hippies on his way to boot camp.
Emotional fingerprint
Hair (1979) — Movie. Top emotional signals: Humor 30%, Inspiration 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Inspiration25%
- Sadness20%
- Nostalgia15%
- Excitement10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Inspiration, Sadness. Genres: Comedy, Drama, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Inspiration and Sadness. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Joy
- Tension
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Hope
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Tension | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Hope | 42 % | 28 % | 10 % | 20 % |
| 7.5 % | ≈ 9′ | Hope | 50 % | 38 % | 14 % | 30 % |
| 12.5 % | ≈ 15′ | Humor | 51 % | 38 % | 18 % | 39 % |
| 17.5 % | ≈ 21′ | Humor | 43 % | 28 % | 18 % | 35 % |
| 22.5 % | ≈ 27′ | Humor | 43 % | 25 % | 28 % | 29 % |
| 27.5 % | ≈ 33′ | Tension | 50 % | 27 % | 40 % | 31 % |
| 32.5 % | ≈ 39′ | Humor | 53 % | 33 % | 36 % | 38 % |
| 37.5 % | ≈ 45′ | Joy | 53 % | 40 % | 28 % | 35 % |
| 42.5 % | ≈ 51′ | Hope | 48 % | 35 % | 26 % | 28 % |
| 47.5 % | ≈ 57′ | Humor | 45 % | 21 % | 31 % | 24 % |
| 52.5 % | ≈ 64′ | Sadness | 49 % | 15 % | 33 % | 24 % |
| 57.5 % | ≈ 70′ | Humor | 50 % | 18 % | 31 % | 23 % |
| 62.5 % | ≈ 76′ | Hope | 56 % | 14 % | 39 % | 11 % |
| 67.5 % | ≈ 82′ | Sadness | 65 % | 6 % | 48 % | 5 % |
| 72.5 % | ≈ 88′ | Tension | 65 % | 15 % | 49 % | 10 % |
| 77.5 % | ≈ 94′ | Joy | 61 % | 35 % | 39 % | 24 % |
| 82.5 % | ≈ 100′ | Humor | 60 % | 46 % | 31 % | 41 % |
| 87.5 % | ≈ 106′ | Joy | 64 % | 35 % | 45 % | 32 % |
| 92.5 % | ≈ 112′ | Tension | 68 % | 19 % | 50 % | 13 % |
| 97.5 % | ≈ 118′ | Hope | 65 % | 20 % | 33 % | 10 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Sheila's Mother
Sheila's Father
Sheila's Uncle
Sheila's Aunt
Mrs. Berger
Vietnamese Girl
Debutante #1
Debutante #2
Details
- Directed by
- Milos Forman
- Written by
- James Rado, Gerome Ragni
- Type
- Movies
- Released
- 1979
- Runtime
- 121 min
- Country
- Germany, United States of America
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
