feeldb

Mean Streets

1973 · 112 min · Director: Martin Scorsese, Martin Scorsese ★ IMDb 7.1 · 130,230 ratings

Show plot summary (may contain spoilers)

A small-time hood must choose from among love, friendship and the chance to rise within the mob.

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Emotional fingerprint

Mean Streets (1973) — Movie. Top emotional signals: Anxiety 30%, Sadness 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Anger10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Anxiety, Sadness, Empathy. Genres: Drama, Crime. AI estimate.

Is it worth watching?

Consider this title if you are looking for Anxiety, Sadness and Empathy. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Fear
  • Humor

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Tension

Dominant emotion: Humor

Dominant emotion: Love

Tension
Fear
Humor
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then dips around 57 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionFearHumor
2.5 %≈ 3′Tension38 %33 %15 %8 %
7.5 %≈ 8′Tension43 %33 %16 %16 %
12.5 %≈ 14′Humor44 %29 %11 %31 %
17.5 %≈ 20′Humor40 %30 %9 %33 %
22.5 %≈ 25′Humor38 %32 %10 %29 %
27.5 %≈ 31′Humor40 %35 %13 %32 %
32.5 %≈ 36′Humor41 %36 %15 %34 %
37.5 %≈ 42′Humor48 %44 %25 %27 %
42.5 %≈ 48′Tension59 %56 %40 %23 %
47.5 %≈ 53′Tension51 %48 %31 %24 %
52.5 %≈ 59′Love36 %32 %13 %19 %
57.5 %≈ 64′Tension36 %34 %10 %10 %
62.5 %≈ 70′Love41 %35 %11 %16 %
67.5 %≈ 76′Humor48 %39 %18 %25 %
72.5 %≈ 81′Tension59 %55 %36 %18 %
77.5 %≈ 87′Tension61 %61 %39 %9 %
82.5 %≈ 92′Tension57 %57 %26 %10 %
87.5 %≈ 98′Tension63 %63 %30 %15 %
92.5 %≈ 104′Tension73 %73 %48 %15 %
97.5 %≈ 109′Tension80 %80 %63 %12 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Kadri — your film companion

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

DP
David Proval

David Proval

Tony DeVienazo

AR
Amy Robinson

CD
Cesare Danova

CD
Cesare Danova

Giovanni Cappa

GM
George Memmoli

Joey 'Clams' Scala

LS
Lenny Scaletta

JB
Jeannie Bell

MM
Murray Moston

Oscar

Robert Carradine

Boy With Gun

LW
Lois Walden

Jewish Girl

Harry Northup

Soldier

DS
Dino Seragusa

Old Man

DD
D'Mitch Davis

Cop

PF
Peter Fain

George

JA
Juli Andelman

Girl At Party

RW
Robert Wilder

Benton

Details

Type
Movies
Released
1973
Runtime
112 min
Country
United States of America
Genres
Drama, Crime
Ratings
★ IMDb 7.1 · 130,230 ratings
Feels mostly
Anxiety
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.