On Her Majesty's Secret Service
1969 · 142 min · Director: Peter R. Hunt
Show plot summary (may contain spoilers)
James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.
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Emotional fingerprint
On Her Majesty's Secret Service (1969) — Movie. Top emotional signals: Tension 30%, Excitement 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension30%
- Excitement25%
- Love20%
- Anticipation15%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Excitement, Love. Genres: Thriller, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Excitement and Love. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Love
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Love | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Tension | 48 % | 45 % | 5 % | 35 % |
| 7.5 % | ≈ 11′ | Curiosity | 43 % | 36 % | 13 % | 37 % |
| 12.5 % | ≈ 18′ | Curiosity | 41 % | 33 % | 18 % | 41 % |
| 17.5 % | ≈ 25′ | Curiosity | 43 % | 28 % | 19 % | 38 % |
| 22.5 % | ≈ 32′ | Humor | 49 % | 19 % | 33 % | 26 % |
| 27.5 % | ≈ 39′ | Love | 54 % | 15 % | 39 % | 25 % |
| 32.5 % | ≈ 46′ | Curiosity | 48 % | 23 % | 16 % | 38 % |
| 37.5 % | ≈ 53′ | Curiosity | 44 % | 29 % | 4 % | 41 % |
| 42.5 % | ≈ 60′ | Humor | 46 % | 26 % | 11 % | 39 % |
| 47.5 % | ≈ 67′ | Curiosity | 48 % | 29 % | 15 % | 43 % |
| 52.5 % | ≈ 75′ | Humor | 54 % | 43 % | 11 % | 44 % |
| 57.5 % | ≈ 82′ | Tension | 65 % | 61 % | 4 % | 43 % |
| 62.5 % | ≈ 89′ | Tension | 70 % | 70 % | 0 % | 36 % |
| 67.5 % | ≈ 96′ | Tension | 73 % | 73 % | 5 % | 25 % |
| 72.5 % | ≈ 103′ | Tension | 74 % | 70 % | 25 % | 19 % |
| 77.5 % | ≈ 110′ | Love | 74 % | 66 % | 40 % | 21 % |
| 82.5 % | ≈ 117′ | Tension | 76 % | 73 % | 28 % | 29 % |
| 87.5 % | ≈ 124′ | Tension | 79 % | 79 % | 18 % | 29 % |
| 92.5 % | ≈ 131′ | Tension | 80 % | 65 % | 35 % | 20 % |
| 97.5 % | ≈ 138′ | Love | 78 % | 38 % | 57 % | 13 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Grunther
Olympe
Toussaint
Che Che
Raphael
Gumbold
Ruby Bartlett
Nancy
The Scandinavian Girl
Details
- Directed by
- Peter R. Hunt
- Written by
- Richard Maibaum, Ian Fleming
- Type
- Movies
- Released
- 1969
- Runtime
- 142 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





