Pierrot le Fou
1965 · 110 min · Director: Jean-Luc Godard
Show plot summary (may contain spoilers)
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
Emotional fingerprint
Pierrot le Fou (1965) — Movie. Top emotional signals: Excitement 30%, Awe 25%, Curiosity 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Awe25%
- Curiosity20%
- Love15%
- Tension10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Awe, Curiosity. Genres: Drama, Romance, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Awe and Curiosity. Its IMDb rating of 7.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sadness
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sadness | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 34 % | 10 % | 14 % | 33 % |
| 7.5 % | ≈ 8′ | Curiosity | 35 % | 12 % | 12 % | 32 % |
| 12.5 % | ≈ 14′ | Curiosity | 42 % | 21 % | 16 % | 36 % |
| 17.5 % | ≈ 19′ | Love | 52 % | 37 % | 19 % | 41 % |
| 22.5 % | ≈ 25′ | Tension | 57 % | 49 % | 15 % | 42 % |
| 27.5 % | ≈ 30′ | Tension | 52 % | 47 % | 12 % | 38 % |
| 32.5 % | ≈ 36′ | Curiosity | 44 % | 35 % | 14 % | 34 % |
| 37.5 % | ≈ 41′ | Sadness | 42 % | 24 % | 20 % | 34 % |
| 42.5 % | ≈ 47′ | Love | 44 % | 20 % | 22 % | 34 % |
| 47.5 % | ≈ 52′ | Sadness | 44 % | 25 % | 28 % | 30 % |
| 52.5 % | ≈ 58′ | Sadness | 43 % | 27 % | 31 % | 24 % |
| 57.5 % | ≈ 63′ | Humor | 49 % | 36 % | 23 % | 24 % |
| 62.5 % | ≈ 69′ | Tension | 67 % | 61 % | 22 % | 28 % |
| 67.5 % | ≈ 74′ | Tension | 72 % | 65 % | 26 % | 32 % |
| 72.5 % | ≈ 80′ | Curiosity | 56 % | 45 % | 28 % | 35 % |
| 77.5 % | ≈ 85′ | Tension | 52 % | 43 % | 24 % | 36 % |
| 82.5 % | ≈ 91′ | Tension | 61 % | 56 % | 26 % | 39 % |
| 87.5 % | ≈ 96′ | Tension | 63 % | 55 % | 36 % | 38 % |
| 92.5 % | ≈ 102′ | Humor | 63 % | 46 % | 48 % | 29 % |
| 97.5 % | ≈ 107′ | Sadness | 72 % | 51 % | 63 % | 23 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
The Third Brother (uncredited)
The Dwarf (uncredited)
Mrs. Staquet (uncredited)
Fred (uncredited)
Self
Details
- Directed by
- Jean-Luc Godard
- Written by
- Jean-Luc Godard, Lionel White, Rémo Forlani
- Type
- Movies
- Released
- 1965
- Runtime
- 110 min
- Country
- France, Italy
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Rent
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