feeldb

My Fair Lady

1964 · 173 min · Director: George Cukor ★ IMDb 7.7 · 108,881 ratings

Show plot summary (may contain spoilers)

A snobbish phonetics professor agrees to a wager that he can take a flower girl and make her presentable in high society.

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Emotional fingerprint

My Fair Lady (1964) — Movie. Top emotional signals: Humor 30%, Love 25%, Satisfaction 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Humor30%
  2. Love25%
  3. Smile15%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Humor, Love, Satisfaction. Genres: Comedy, Romance, Music. AI estimate.

Is it worth watching?

Consider this title if you are looking for Humor, Love and Satisfaction. Its IMDb rating of 7.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Joy
  • Humor
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Joy

Dominant emotion: Tension

Dominant emotion: Love

Dominant emotion: Sadness

Joy
Humor
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 48 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityJoyHumorSadness
2.5 %≈ 4′Humor38 %12 %30 %13 %
7.5 %≈ 13′Humor41 %21 %34 %11 %
12.5 %≈ 22′Joy43 %23 %31 %14 %
17.5 %≈ 30′Tension45 %11 %26 %20 %
22.5 %≈ 39′Tension48 %10 %30 %18 %
27.5 %≈ 48′Humor45 %16 %39 %10 %
32.5 %≈ 56′Humor43 %14 %41 %10 %
37.5 %≈ 65′Humor48 %21 %35 %13 %
42.5 %≈ 74′Joy59 %46 %25 %9 %
47.5 %≈ 82′Joy63 %53 %26 %4 %
52.5 %≈ 91′Humor57 %36 %31 %4 %
57.5 %≈ 99′Love57 %25 %24 %4 %
62.5 %≈ 108′Tension60 %28 %23 %9 %
67.5 %≈ 117′Joy61 %31 %25 %29 %
72.5 %≈ 125′Sadness60 %23 %19 %44 %
77.5 %≈ 134′Love55 %24 %24 %34 %
82.5 %≈ 143′Joy50 %29 %36 %18 %
87.5 %≈ 151′Humor49 %20 %32 %19 %
92.5 %≈ 160′Tension55 %16 %20 %34 %
97.5 %≈ 169′Sadness60 %15 %15 %45 %
Icarus

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

WH
Wilfrid Hyde-White

Colonel Hugh Pickering

JH
John Holland

MN
Marni Nixon

Eliza Doolittle (singing voice) (uncredited)

CK
Colin Kenny

Ad Lib at Church (uncredited)

BS
Bert Stevens

Gentleman (uncredited)

Frank Baker

Gentleman (uncredited)

Marjorie Bennett

Cockney with Pipe (uncredited)

BB
Betty Blythe

Lady at Ball (uncredited)

AT
Arthur Tovey

Singer (uncredited)

AB
Al Bain

Cockney (uncredited)

WB
William Beckley

Footman (uncredited)

LK
Lillian Kemble-Cooper

Lady Ambassador (uncredited)

Details

Directed by
George Cukor
Written by
Alan Jay Lerner
Type
Movies
Released
1964
Runtime
173 min
Country
United States of America
Ratings
★ IMDb 7.7 · 108,881 ratings
Feels mostly
Humor
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.