From Russia with Love
1963 · 115 min · Director: Terence Young
Show plot summary (may contain spoilers)
Agent 007 is back in the second installment of the James Bond series, this time battling a secret crime organization known as SPECTRE. Russians Rosa Klebb and Kronsteen are out to snatch a decoding device known as the Lektor, using the ravishing Tatiana to lure Bond into helping them. Bond willingly travels to meet Tatiana in Istanbul, where he must rely on his wits to escape with his life in a series of deadly encounters with the enemy.
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Emotional fingerprint
From Russia with Love (1963) — Movie. Top emotional signals: Tension 32%, Excitement 25%, Curiosity 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension32%
- Excitement25%
- Curiosity18%
- Love15%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Excitement, Curiosity. Genres: Thriller, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Excitement and Curiosity. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 7.5 % | ≈ 9′ | Curiosity | 58 % | 48 % | 50 % | 21 % |
| 12.5 % | ≈ 14′ | Tension | 59 % | 49 % | 48 % | 24 % |
| 17.5 % | ≈ 20′ | Curiosity | 50 % | 34 % | 46 % | 14 % |
| 22.5 % | ≈ 26′ | Curiosity | 43 % | 29 % | 43 % | 9 % |
| 27.5 % | ≈ 32′ | Tension | 45 % | 39 % | 44 % | 14 % |
| 32.5 % | ≈ 37′ | Curiosity | 45 % | 40 % | 43 % | 15 % |
| 37.5 % | ≈ 43′ | Tension | 44 % | 41 % | 35 % | 16 % |
| 42.5 % | ≈ 49′ | Tension | 44 % | 39 % | 35 % | 15 % |
| 47.5 % | ≈ 55′ | Curiosity | 41 % | 29 % | 39 % | 10 % |
| 52.5 % | ≈ 60′ | Curiosity | 46 % | 36 % | 40 % | 13 % |
| 57.5 % | ≈ 66′ | Tension | 53 % | 48 % | 36 % | 18 % |
| 62.5 % | ≈ 72′ | Humor | 54 % | 46 % | 34 % | 16 % |
| 67.5 % | ≈ 78′ | Sadness | 51 % | 43 % | 35 % | 14 % |
| 72.5 % | ≈ 83′ | Curiosity | 53 % | 48 % | 38 % | 25 % |
| 77.5 % | ≈ 89′ | Tension | 71 % | 70 % | 43 % | 52 % |
| 82.5 % | ≈ 95′ | Tension | 80 % | 80 % | 39 % | 61 % |
| 87.5 % | ≈ 101′ | Tension | 74 % | 74 % | 30 % | 53 % |
| 92.5 % | ≈ 106′ | Tension | 69 % | 68 % | 26 % | 46 % |
| 97.5 % | ≈ 112′ | Humor | 60 % | 57 % | 23 % | 37 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Kerim's Mistress
Vida
Belly Dancer
Bulgarian Agent
Krilencu
Kerim's Chauffeur
Details
- Directed by
- Terence Young
- Written by
- Richard Maibaum, Ian Fleming
- Type
- Movies
- Released
- 1963
- Runtime
- 115 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





