feeldb

High and Low

1963 · 142 min · Director: Akira Kurosawa ★ IMDb 8.4 · 74,150 ratings

Show plot summary (may contain spoilers)

A Yokohama shoe executive faces a wrenching choice when kidnappers mistakenly seize his chauffeur’s son but demand the ransom anyway.

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Emotional fingerprint

High and Low (1963) — Movie. Top emotional signals: Anxiety 30%, Empathy 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Anxiety, Empathy, Tension. Genres: Thriller, Drama, Crime. AI estimate.

Is it worth watching?

Consider this title if you are looking for Anxiety, Empathy and Tension. Its IMDb rating of 8.4/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 74/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Curiosity
  • Disturbing

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Tension

Dominant emotion: Sympathy

Dominant emotion: Disturbing

Dominant emotion: Sadness

Tension
Curiosity
Disturbing
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 13 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionCuriosityDisturbing
2.5 %≈ 4′Curiosity28 %20 %28 %0 %
7.5 %≈ 11′Curiosity43 %36 %36 %8 %
12.5 %≈ 18′Tension64 %59 %44 %26 %
17.5 %≈ 25′Tension74 %69 %41 %44 %
22.5 %≈ 32′Tension77 %71 %34 %46 %
27.5 %≈ 39′Sympathy79 %71 %33 %38 %
32.5 %≈ 46′Sympathy75 %69 %41 %29 %
37.5 %≈ 53′Sympathy74 %70 %51 %21 %
42.5 %≈ 60′Tension73 %65 %57 %18 %
47.5 %≈ 67′Curiosity65 %44 %60 %14 %
52.5 %≈ 75′Curiosity59 %31 %59 %9 %
57.5 %≈ 82′Curiosity59 %38 %59 %8 %
62.5 %≈ 89′Curiosity65 %48 %63 %23 %
67.5 %≈ 96′Disturbing70 %53 %63 %49 %
72.5 %≈ 103′Sympathy69 %51 %57 %50 %
77.5 %≈ 110′Sympathy70 %57 %58 %39 %
82.5 %≈ 117′Tension71 %68 %58 %38 %
87.5 %≈ 124′Tension74 %71 %54 %48 %
92.5 %≈ 131′Disturbing80 %68 %51 %65 %
97.5 %≈ 138′Sadness80 %57 %47 %68 %
Oedipus

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

KI
Kenjirō Ishiyama

TK
Takeshi Katō

TK
Takeshi Katō

Detective Nakao

NN
Nobuo Nakamura

Ishimaru, National Shoes Design Department Director

YI
Yūnosuke Itō

Baba - National Shoes Executive

TY
Tsutomu Yamazaki

Ginjirô Takeuchi - Medical Intern

Minoru Chiaki

First Reporter

Eijirō Tōno

Factory Worker

MS
Masao Shimizu

Prison Warden

YS
Yutaka Sada

Aoki - the Chauffeur

MS
Masahiko Shimazu

Shinichi Aoki

TE
Toshio Egi

Jun Gondo

KM
Kōji Mitsui

Second Reporter

KS
Kyū Sazanka

First Creditor

Details

Directed by
Akira Kurosawa
Written by
Akira Kurosawa, Hideo Oguni, Ryûzô Kikushima, Eijiro Hisaita, Evan Hunter
Type
Movies
Released
1963
Runtime
142 min
Country
Japan
Ratings
★ IMDb 8.4 · 74,150 ratings
Feels mostly
Anxiety
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.