Last Year at Marienbad
1961 · 95 min · Director: Alain Resnais
Show plot summary (may contain spoilers)
In a strange and isolated chateau, a man becomes acquainted with a woman and insists that they have met before.
Emotional fingerprint
Last Year at Marienbad (1961) — Movie. Top emotional signals: Confusion 35%, Curiosity 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Confusion35%
- Curiosity25%
- Melancholy20%
- Anxiety15%
- Awe5%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Confusion, Curiosity, Melancholy. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Confusion, Curiosity and Melancholy. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Confusion
- Tension
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Melancholy
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Confusion
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Confusion | Tension | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Melancholy | 37 % | 16 % | 20 % | 33 % |
| 7.5 % | ≈ 7′ | Melancholy | 41 % | 23 % | 24 % | 37 % |
| 12.5 % | ≈ 12′ | Curiosity | 44 % | 32 % | 26 % | 41 % |
| 17.5 % | ≈ 17′ | Curiosity | 44 % | 33 % | 25 % | 45 % |
| 22.5 % | ≈ 21′ | Curiosity | 45 % | 32 % | 25 % | 47 % |
| 27.5 % | ≈ 26′ | Curiosity | 47 % | 37 % | 31 % | 48 % |
| 32.5 % | ≈ 31′ | Curiosity | 48 % | 41 % | 35 % | 46 % |
| 37.5 % | ≈ 36′ | Curiosity | 46 % | 38 % | 36 % | 40 % |
| 42.5 % | ≈ 40′ | Melancholy | 48 % | 36 % | 39 % | 35 % |
| 47.5 % | ≈ 45′ | Tension | 56 % | 39 % | 49 % | 36 % |
| 52.5 % | ≈ 50′ | Tension | 62 % | 44 % | 56 % | 38 % |
| 57.5 % | ≈ 55′ | Tension | 65 % | 51 % | 59 % | 42 % |
| 62.5 % | ≈ 59′ | Confusion | 66 % | 54 % | 59 % | 43 % |
| 67.5 % | ≈ 64′ | Tension | 67 % | 51 % | 60 % | 40 % |
| 72.5 % | ≈ 69′ | Confusion | 64 % | 51 % | 58 % | 41 % |
| 77.5 % | ≈ 74′ | Confusion | 52 % | 46 % | 47 % | 41 % |
| 82.5 % | ≈ 78′ | Confusion | 50 % | 41 % | 43 % | 37 % |
| 87.5 % | ≈ 83′ | Disturbing | 61 % | 45 % | 54 % | 37 % |
| 92.5 % | ≈ 88′ | Tension | 64 % | 46 % | 57 % | 37 % |
| 97.5 % | ≈ 93′ | Melancholy | 60 % | 42 % | 53 % | 36 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
A Character from the Hotel
A Character from the Hotel
A Character from the Hotel
A Character from the Hotel
A Character from the Hotel
Details
- Directed by
- Alain Resnais
- Written by
- Alain Robbe-Grillet
- Type
- Movies
- Released
- 1961
- Runtime
- 95 min
- Country
- France, Italy
- Ratings
- Feels mostly
- Confusion
- Data updated
Where to watch
Rent
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