Divorce Italian Style
1961 · 104 min · Director: Pietro Germi
Show plot summary (may contain spoilers)
Ferdinando Cefalù is desperate to marry his cousin, Angela, but he is married to Rosalia and divorce is illegal in Italy. To get around the law, he tries to trick his wife into having an affair so he can catch her and murder her, as he knows he would be given a light sentence for killing an adulterous woman. He persuades a painter to lure his wife into an affair, but Rosalia proves to be more faithful than he expected.
Emotional fingerprint
Divorce Italian Style (1961) — Movie. Top emotional signals: Humor 35%, Confusion 20%, Anger 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Confusion20%
- Anger15%
- Disgust15%
- Satisfaction15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Confusion, Anger. Genres: Comedy, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Confusion and Anger. Its IMDb rating of 7.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Disturbing
- Tension
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Disturbing | Tension | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 35 % | 7 % | 8 % | 30 % |
| 7.5 % | ≈ 8′ | Humor | 36 % | 8 % | 14 % | 30 % |
| 12.5 % | ≈ 13′ | Humor | 39 % | 8 % | 20 % | 29 % |
| 17.5 % | ≈ 18′ | Humor | 44 % | 18 % | 30 % | 29 % |
| 22.5 % | ≈ 23′ | Tension | 55 % | 41 % | 46 % | 31 % |
| 27.5 % | ≈ 29′ | Disturbing | 64 % | 56 % | 53 % | 35 % |
| 32.5 % | ≈ 34′ | Disturbing | 61 % | 53 % | 44 % | 41 % |
| 37.5 % | ≈ 39′ | Humor | 54 % | 43 % | 35 % | 43 % |
| 42.5 % | ≈ 44′ | Sadness | 48 % | 33 % | 30 % | 39 % |
| 47.5 % | ≈ 49′ | Curiosity | 46 % | 25 % | 30 % | 40 % |
| 52.5 % | ≈ 55′ | Curiosity | 53 % | 29 % | 41 % | 44 % |
| 57.5 % | ≈ 60′ | Tension | 59 % | 40 % | 50 % | 46 % |
| 62.5 % | ≈ 65′ | Humor | 56 % | 38 % | 45 % | 48 % |
| 67.5 % | ≈ 70′ | Curiosity | 53 % | 25 % | 41 % | 46 % |
| 72.5 % | ≈ 75′ | Curiosity | 59 % | 30 % | 51 % | 46 % |
| 77.5 % | ≈ 81′ | Tension | 68 % | 51 % | 61 % | 46 % |
| 82.5 % | ≈ 86′ | Disturbing | 68 % | 60 % | 59 % | 43 % |
| 87.5 % | ≈ 91′ | Tension | 69 % | 61 % | 59 % | 38 % |
| 92.5 % | ≈ 96′ | Disturbing | 74 % | 70 % | 53 % | 30 % |
| 97.5 % | ≈ 101′ | Disturbing | 73 % | 73 % | 35 % | 23 % |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Priest
Donna Matilde Cefalù
Don Ciccio Matara
Aunt Fifidda
Dr. Talamone (uncredited)
Details
- Directed by
- Pietro Germi
- Written by
- Ennio De Concini, Pietro Germi, Alfredo Giannetti
- Type
- Movies
- Released
- 1961
- Runtime
- 104 min
- Country
- Italy
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Also on
Availability varies by country
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
