La Dolce Vita
1960 · 174 min · Director: Federico Fellini
Show plot summary (may contain spoilers)
Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
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Emotional fingerprint
La Dolce Vita (1960) — Movie. Top emotional signals: Melancholy 30%, Curiosity 25%, Nostalgia 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy30%
- Curiosity25%
- Nostalgia20%
- Sadness15%
- Awe10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Curiosity, Nostalgia. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Curiosity and Nostalgia. Its IMDb rating of 8.0/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Tension
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Tension | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Humor | 38 % | 13 % | 17 % | 10 % |
| 7.5 % | ≈ 13′ | Curiosity | 45 % | 25 % | 26 % | 18 % |
| 12.5 % | ≈ 22′ | Tension | 53 % | 33 % | 40 % | 24 % |
| 17.5 % | ≈ 30′ | Humor | 45 % | 19 % | 30 % | 14 % |
| 22.5 % | ≈ 39′ | Humor | 39 % | 8 % | 16 % | 4 % |
| 27.5 % | ≈ 48′ | Curiosity | 41 % | 10 % | 21 % | 6 % |
| 32.5 % | ≈ 57′ | Tension | 45 % | 14 % | 35 % | 16 % |
| 37.5 % | ≈ 65′ | Tension | 48 % | 15 % | 43 % | 25 % |
| 42.5 % | ≈ 74′ | Tension | 48 % | 21 % | 34 % | 23 % |
| 47.5 % | ≈ 83′ | Sadness | 49 % | 33 % | 25 % | 19 % |
| 52.5 % | ≈ 91′ | Sadness | 49 % | 33 % | 24 % | 21 % |
| 57.5 % | ≈ 100′ | Humor | 48 % | 25 % | 23 % | 16 % |
| 62.5 % | ≈ 109′ | Humor | 48 % | 28 % | 28 % | 10 % |
| 67.5 % | ≈ 117′ | Sadness | 48 % | 38 % | 28 % | 13 % |
| 72.5 % | ≈ 126′ | Sadness | 48 % | 39 % | 25 % | 16 % |
| 77.5 % | ≈ 135′ | Humor | 55 % | 40 % | 39 % | 29 % |
| 82.5 % | ≈ 144′ | Sadness | 69 % | 54 % | 54 % | 49 % |
| 87.5 % | ≈ 152′ | Sadness | 70 % | 53 % | 51 % | 54 % |
| 92.5 % | ≈ 161′ | Disturbing | 61 % | 39 % | 38 % | 48 % |
| 97.5 % | ≈ 170′ | Sadness | 57 % | 38 % | 27 % | 43 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Jane
Pagliaccio
Frankie Stout
Police commissioner
Nico
Transvestite
Photographer
Details
- Directed by
- Federico Fellini
- Written by
- Tullio Pinelli, Federico Fellini, Pier Paolo Pasolini, Ennio Flaiano, Brunello Rondi
- Type
- Movies
- Released
- 1960
- Runtime
- 174 min
- Country
- France, Italy
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





