A Man Escaped
1956 · 101 min · Director: Robert Bresson
Show plot summary (may contain spoilers)
A captured French Resistance fighter during World War II engineers a daunting escape from prison.
Emotional fingerprint
A Man Escaped (1956) — Movie. Top emotional signals: Tension 35%, Anxiety 25%, Anticipation 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension35%
- Anxiety25%
- Anticipation15%
- Inspiration15%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Anxiety, Anticipation. Genres: Thriller, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Anxiety and Anticipation. Its IMDb rating of 8.1/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Anxiety
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion: Anxiety
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Anxiety | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 7.5 % | ≈ 8′ | Sadness | 67 % | 58 % | 50 % | 28 % |
| 12.5 % | ≈ 13′ | Empathy | 61 % | 51 % | 44 % | 34 % |
| 17.5 % | ≈ 18′ | Sadness | 60 % | 53 % | 45 % | 32 % |
| 22.5 % | ≈ 23′ | Tension | 65 % | 60 % | 55 % | 30 % |
| 27.5 % | ≈ 28′ | Anxiety | 65 % | 58 % | 54 % | 36 % |
| 32.5 % | ≈ 33′ | Hope | 61 % | 49 % | 40 % | 51 % |
| 37.5 % | ≈ 38′ | Hope | 61 % | 49 % | 35 % | 59 % |
| 42.5 % | ≈ 43′ | Hope | 64 % | 57 % | 45 % | 51 % |
| 47.5 % | ≈ 48′ | Tension | 65 % | 63 % | 55 % | 40 % |
| 52.5 % | ≈ 53′ | Sadness | 65 % | 61 % | 55 % | 37 % |
| 57.5 % | ≈ 58′ | Tension | 69 % | 64 % | 55 % | 41 % |
| 62.5 % | ≈ 63′ | Tension | 76 % | 71 % | 61 % | 36 % |
| 67.5 % | ≈ 68′ | Tension | 76 % | 71 % | 63 % | 28 % |
| 72.5 % | ≈ 73′ | Tension | 71 % | 66 % | 57 % | 35 % |
| 77.5 % | ≈ 78′ | Hope | 74 % | 70 % | 59 % | 43 % |
| 82.5 % | ≈ 83′ | Tension | 81 % | 80 % | 69 % | 29 % |
| 87.5 % | ≈ 88′ | Tension | 84 % | 84 % | 74 % | 21 % |
| 92.5 % | ≈ 93′ | Tension | 80 % | 80 % | 70 % | 28 % |
| 97.5 % | ≈ 98′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Escort Guard
Details
- Directed by
- Robert Bresson
- Written by
- Robert Bresson, André Devigny
- Type
- Movies
- Released
- 1956
- Runtime
- 101 min
- Country
- France
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Subscription
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