feeldb

The Wages of Fear

1953 · 154 min · Director: Henri-Georges Clouzot ★ IMDb 8.1 · 74,672 ratings

Show plot summary (may contain spoilers)

In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.

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Emotional fingerprint

The Wages of Fear (1953) — Movie. Top emotional signals: Tension 40%, Anxiety 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

20%Fear
  1. Fear20%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Tension, Anxiety, Fear. Genres: Thriller, Drama, Adventure. AI estimate.

Is it worth watching?

Consider this title if you are looking for Tension, Anxiety and Fear. Its IMDb rating of 8.1/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 76/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Sympathy
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Sympathy

Dominant emotion: Tension

Dominant emotion: Sadness

Tension
Sympathy
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 8 %, then rises around 43 %, then peaks around 88 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionSympathySadness
2.5 %≈ 4′Sympathy32 %28 %20 %10 %
7.5 %≈ 12′Tension30 %27 %18 %10 %
12.5 %≈ 19′Tension30 %24 %20 %15 %
17.5 %≈ 27′Sympathy38 %29 %25 %19 %
22.5 %≈ 35′Tension45 %38 %28 %20 %
27.5 %≈ 42′Sympathy54 %45 %40 %35 %
32.5 %≈ 50′Sadness55 %49 %41 %40 %
37.5 %≈ 58′Tension48 %42 %33 %30 %
42.5 %≈ 65′Sympathy54 %46 %34 %26 %
47.5 %≈ 73′Tension65 %61 %25 %15 %
52.5 %≈ 81′Tension70 %70 %16 %5 %
57.5 %≈ 89′Tension75 %75 %21 %6 %
62.5 %≈ 96′Tension74 %73 %30 %10 %
67.5 %≈ 104′Tension71 %69 %35 %11 %
72.5 %≈ 112′Tension76 %73 %36 %20 %
77.5 %≈ 119′Tension81 %75 %46 %40 %
82.5 %≈ 127′Tension85 %74 %64 %56 %
87.5 %≈ 135′Sympathy88 %63 %76 %71 %
92.5 %≈ 142′Sadness87 %48 %78 %80 %
97.5 %≈ 150′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

VC
Véra Clouzot

AC
Antonio Centa

JD
Jo Dest

DM
Darío Moreno

WT
William Tubbs

DL
Darling Légitimus

LD
Luis De Lima

Bernardo

GG
Grégoire Gromoff

JP
Joseph Palau-Fabre

FV
François Valorbe

(uncredited)

PH
Pat Hurst

(uncredited)

Details

Written by
Henri-Georges Clouzot, Jérôme Géronimi, Georges Arnaud
Type
Movies
Released
1953
Runtime
154 min
Country
France, Italy
Ratings
★ IMDb 8.1 · 74,672 ratings
Feels mostly
Tension
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.