In a Lonely Place
1950 · 93 min · Director: Nicholas Ray
Show plot summary (may contain spoilers)
A violent screenwriter and a female neighbor fall in love after she clears him of murder, but she begins to have second thoughts.
Emotional fingerprint
In a Lonely Place (1950) — Movie. Top emotional signals: Tension 30%, Anxiety 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension30%
- Anxiety25%
- Melancholy20%
- Empathy15%
- Sadness10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Anxiety, Melancholy. Genres: Drama, Romance, Mystery. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Anxiety and Melancholy. Its IMDb rating of 7.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 40 % | 17 % | 27 % | 3 % |
| 7.5 % | ≈ 7′ | Humor | 40 % | 21 % | 29 % | 4 % |
| 12.5 % | ≈ 12′ | Humor | 46 % | 29 % | 39 % | 11 % |
| 17.5 % | ≈ 16′ | Curiosity | 58 % | 44 % | 56 % | 20 % |
| 22.5 % | ≈ 21′ | Curiosity | 59 % | 49 % | 63 % | 19 % |
| 27.5 % | ≈ 26′ | Curiosity | 55 % | 45 % | 57 % | 14 % |
| 32.5 % | ≈ 30′ | Curiosity | 61 % | 52 % | 56 % | 14 % |
| 37.5 % | ≈ 35′ | Tension | 63 % | 55 % | 53 % | 14 % |
| 42.5 % | ≈ 40′ | Love | 51 % | 35 % | 36 % | 13 % |
| 47.5 % | ≈ 44′ | Humor | 51 % | 28 % | 29 % | 15 % |
| 52.5 % | ≈ 49′ | Love | 59 % | 44 % | 36 % | 20 % |
| 57.5 % | ≈ 53′ | Love | 65 % | 59 % | 35 % | 20 % |
| 62.5 % | ≈ 58′ | Tension | 70 % | 66 % | 32 % | 19 % |
| 67.5 % | ≈ 63′ | Tension | 68 % | 64 % | 39 % | 28 % |
| 72.5 % | ≈ 67′ | Tension | 66 % | 54 % | 38 % | 30 % |
| 77.5 % | ≈ 72′ | Love | 69 % | 48 % | 29 % | 34 % |
| 82.5 % | ≈ 77′ | Sadness | 71 % | 56 % | 30 % | 48 % |
| 87.5 % | ≈ 81′ | Tension | 71 % | 65 % | 41 % | 40 % |
| 92.5 % | ≈ 86′ | Tension | 77 % | 73 % | 48 % | 41 % |
| 97.5 % | ≈ 91′ | Sadness | 88 % | 83 % | 45 % | 65 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Singer
Frances Randolph (uncredited)
Second Hat Check Girl (uncredited)
Mr. Swan (uncredited)
Woman (uncredited)
Lady Wanting Matches (uncredited)
Details
- Directed by
- Nicholas Ray
- Written by
- Andrew Solt, Dorothy B. Hughes
- Type
- Movies
- Released
- 1950
- Runtime
- 93 min
- Country
- United States of America
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Rent
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