To Be or Not to Be
1942 · 99 min · Director: Ernst Lubitsch
Show plot summary (may contain spoilers)
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
Emotional fingerprint
To Be or Not to Be (1942) — Movie. Top emotional signals: Humor 35%, Joy 25%, Love 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Joy25%
- Love15%
- Excitement15%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Love. Genres: Comedy, Romance, War. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Love. Its IMDb rating of 8.1/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Humor
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Humor | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 53 % | 20 % | 53 % | 0 % |
| 7.5 % | ≈ 7′ | Humor | 50 % | 15 % | 50 % | 0 % |
| 12.5 % | ≈ 12′ | Humor | 48 % | 15 % | 48 % | 0 % |
| 17.5 % | ≈ 17′ | Humor | 56 % | 31 % | 40 % | 0 % |
| 22.5 % | ≈ 22′ | Sadness | 65 % | 50 % | 28 % | 0 % |
| 27.5 % | ≈ 27′ | Empathy | 64 % | 56 % | 19 % | 0 % |
| 32.5 % | ≈ 32′ | Tension | 65 % | 63 % | 10 % | 0 % |
| 37.5 % | ≈ 37′ | Tension | 61 % | 59 % | 14 % | 3 % |
| 42.5 % | ≈ 42′ | Humor | 56 % | 51 % | 31 % | 5 % |
| 47.5 % | ≈ 47′ | Tension | 56 % | 53 % | 41 % | 3 % |
| 52.5 % | ≈ 52′ | Humor | 55 % | 51 % | 45 % | 1 % |
| 57.5 % | ≈ 57′ | Humor | 61 % | 57 % | 46 % | 5 % |
| 62.5 % | ≈ 62′ | Tension | 66 % | 64 % | 41 % | 8 % |
| 67.5 % | ≈ 67′ | Tension | 61 % | 57 % | 39 % | 5 % |
| 72.5 % | ≈ 72′ | Tension | 63 % | 59 % | 35 % | 1 % |
| 77.5 % | ≈ 77′ | Tension | 74 % | 71 % | 33 % | 3 % |
| 82.5 % | ≈ 82′ | Tension | 76 % | 74 % | 40 % | 5 % |
| 87.5 % | ≈ 87′ | Tension | 71 % | 63 % | 44 % | 19 % |
| 92.5 % | ≈ 92′ | Relief | 70 % | 49 % | 46 % | 46 % |
| 97.5 % | ≈ 97′ | Relief | 68 % | 42 % | 52 % | 58 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Capt. Schultz
Anna
Polish RAF Pilot (uncredited)
German Soldier (uncredited)
Townsman (uncredited)
Wilhelm Kunze (uncredited)
Details
- Directed by
- Ernst Lubitsch
- Written by
- Melchior Lengyel, Edwin Justus Mayer
- Type
- Movies
- Released
- 1942
- Runtime
- 99 min
- Country
- United States of America
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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