Gaslight
1944 · 114 min · Director: George Cukor
Show plot summary (may contain spoilers)
A newlywed fears she's going mad when strange things start happening at the family mansion.
Emotional fingerprint
Gaslight (1944) — Movie. Top emotional signals: Anxiety 35%, Tension 30%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Tension, Fear. Genres: Thriller, Drama, Mystery. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Tension and Fear. Its IMDb rating of 7.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 76/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Empathy
- Tension
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Tension | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Empathy | 45 % | 32 % | 25 % | 35 % |
| 7.5 % | ≈ 9′ | Curiosity | 45 % | 30 % | 24 % | 38 % |
| 12.5 % | ≈ 14′ | Empathy | 48 % | 36 % | 28 % | 35 % |
| 17.5 % | ≈ 20′ | Empathy | 53 % | 41 % | 39 % | 39 % |
| 22.5 % | ≈ 26′ | Curiosity | 53 % | 35 % | 44 % | 48 % |
| 27.5 % | ≈ 31′ | Curiosity | 49 % | 34 % | 43 % | 46 % |
| 32.5 % | ≈ 37′ | Empathy | 50 % | 39 % | 45 % | 45 % |
| 37.5 % | ≈ 43′ | Curiosity | 53 % | 39 % | 46 % | 44 % |
| 42.5 % | ≈ 48′ | Empathy | 57 % | 46 % | 50 % | 38 % |
| 47.5 % | ≈ 54′ | Empathy | 70 % | 64 % | 63 % | 39 % |
| 52.5 % | ≈ 60′ | Empathy | 71 % | 66 % | 64 % | 39 % |
| 57.5 % | ≈ 66′ | Empathy | 66 % | 63 % | 59 % | 35 % |
| 62.5 % | ≈ 71′ | Empathy | 76 % | 73 % | 69 % | 40 % |
| 67.5 % | ≈ 77′ | Tension | 84 % | 78 % | 78 % | 49 % |
| 72.5 % | ≈ 83′ | Empathy | 79 % | 73 % | 73 % | 56 % |
| 77.5 % | ≈ 88′ | Curiosity | 75 % | 69 % | 68 % | 64 % |
| 82.5 % | ≈ 94′ | Tension | 79 % | 69 % | 74 % | 64 % |
| 87.5 % | ≈ 100′ | Tension | 85 % | 71 % | 84 % | 57 % |
| 92.5 % | ≈ 105′ | Tension | 86 % | 73 % | 76 % | 46 % |
| 97.5 % | ≈ 111′ | Relief | 83 % | 72 % | 57 % | 30 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Lord Dalroy
Pianist
Policeman (uncredited)
Young Girl (uncredited)
Cab Man (uncredited)
Footman (uncredited)
Pedestrian (uncredited)
Details
- Directed by
- George Cukor
- Written by
- John L. Balderston, John Van Druten, Walter Reisch, John Van Druten
- Type
- Movies
- Released
- 1944
- Runtime
- 114 min
- Country
- United States of America
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Subscription
Free
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
