Key Largo
1948 · 100 min · Director: John Huston
Show plot summary (may contain spoilers)
A hurricane swells outside, but it's nothing compared to the storm within the hotel at Key Largo. There, sadistic mobster Johnny Rocco holes up - and holds at gunpoint hotel owner James Temple, his widowed daughter-in-law Nora, and ex-GI Frank McCloud.
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Emotional fingerprint
Key Largo (1948) — Movie. Top emotional signals: Tension 35%, Fear 25%, Excitement 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension35%
- Fear25%
- Excitement15%
- Empathy15%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Fear, Excitement. Genres: Thriller, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Fear and Excitement. Its IMDb rating of 7.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sympathy
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Sympathy
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sympathy | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 20 % | 15 % | 3 % | 6 % |
| 7.5 % | ≈ 8′ | Not enough subtitle evidence | 29 % | 16 % | 17 % | 6 % |
| 12.5 % | ≈ 13′ | Sadness | 43 % | 19 % | 37 % | 8 % |
| 17.5 % | ≈ 18′ | Sympathy | 44 % | 22 % | 37 % | 10 % |
| 22.5 % | ≈ 23′ | Sadness | 48 % | 37 % | 28 % | 22 % |
| 27.5 % | ≈ 28′ | Tension | 62 % | 57 % | 28 % | 34 % |
| 32.5 % | ≈ 33′ | Tension | 66 % | 64 % | 30 % | 37 % |
| 37.5 % | ≈ 38′ | Tension | 69 % | 66 % | 34 % | 41 % |
| 42.5 % | ≈ 43′ | Tension | 77 % | 74 % | 48 % | 51 % |
| 47.5 % | ≈ 48′ | Tension | 79 % | 73 % | 56 % | 52 % |
| 52.5 % | ≈ 53′ | Sympathy | 73 % | 56 % | 61 % | 32 % |
| 57.5 % | ≈ 58′ | Sympathy | 73 % | 50 % | 60 % | 26 % |
| 62.5 % | ≈ 63′ | Tension | 76 % | 64 % | 42 % | 46 % |
| 67.5 % | ≈ 68′ | Tension | 75 % | 72 % | 29 % | 53 % |
| 72.5 % | ≈ 73′ | Tension | 77 % | 74 % | 39 % | 50 % |
| 77.5 % | ≈ 78′ | Tension | 76 % | 72 % | 48 % | 48 % |
| 82.5 % | ≈ 83′ | Tension | 70 % | 66 % | 47 % | 40 % |
| 87.5 % | ≈ 88′ | Sympathy | 75 % | 71 % | 44 % | 47 % |
| 92.5 % | ≈ 93′ | Tension | 85 % | 79 % | 37 % | 59 % |
| 97.5 % | ≈ 98′ | Relief | 86 % | 74 % | 34 % | 56 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Tom Osceola (uncredited)
Ziggy's Henchman (uncredited)
Ziggy's Henchman (uncredited)
Details
- Directed by
- John Huston
- Written by
- John Huston, Richard Brooks
- Type
- Movies
- Released
- 1948
- Runtime
- 100 min
- Country
- United States of America
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





