Suspicion
1941 · 99 min · Director: Alfred Hitchcock
Show plot summary (may contain spoilers)
A sheltered heiress falls for a charming playboy and elopes with him, but soon discovers his gambling vice and mounting debts. As his lies deepen and those around them meet mysterious ends, she begins to suspect that her husband’s affection may conceal a deadly motive—and that she could be his next victim.
Emotional fingerprint
Suspicion (1941) — Movie. Top emotional signals: Tension 35%, Fear 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Fear, Anxiety. Genres: Thriller, Romance, Mystery. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Fear and Anxiety. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Relief
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 30 % | 14 % | 27 % | 14 % |
| 7.5 % | ≈ 7′ | Curiosity | 32 % | 18 % | 28 % | 15 % |
| 12.5 % | ≈ 12′ | Sadness | 35 % | 16 % | 26 % | 21 % |
| 17.5 % | ≈ 17′ | Love | 43 % | 12 % | 21 % | 37 % |
| 22.5 % | ≈ 22′ | Love | 49 % | 18 % | 22 % | 44 % |
| 27.5 % | ≈ 27′ | Love | 45 % | 27 % | 28 % | 35 % |
| 32.5 % | ≈ 32′ | Love | 44 % | 36 % | 34 % | 24 % |
| 37.5 % | ≈ 37′ | Curiosity | 45 % | 38 % | 37 % | 17 % |
| 42.5 % | ≈ 42′ | Relief | 47 % | 39 % | 38 % | 16 % |
| 47.5 % | ≈ 47′ | Tension | 54 % | 46 % | 40 % | 17 % |
| 52.5 % | ≈ 52′ | Sadness | 56 % | 49 % | 40 % | 17 % |
| 57.5 % | ≈ 57′ | Tension | 54 % | 49 % | 40 % | 19 % |
| 62.5 % | ≈ 62′ | Tension | 52 % | 47 % | 40 % | 15 % |
| 67.5 % | ≈ 67′ | Relief | 53 % | 44 % | 41 % | 10 % |
| 72.5 % | ≈ 72′ | Tension | 61 % | 53 % | 49 % | 9 % |
| 77.5 % | ≈ 77′ | Tension | 67 % | 62 % | 56 % | 10 % |
| 82.5 % | ≈ 82′ | Tension | 69 % | 66 % | 55 % | 8 % |
| 87.5 % | ≈ 87′ | Tension | 73 % | 71 % | 52 % | 7 % |
| 92.5 % | ≈ 92′ | Tension | 77 % | 74 % | 47 % | 18 % |
| 97.5 % | ≈ 97′ | Relief | 79 % | 74 % | 45 % | 35 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Mrs. Barham (uncredited)
Jessie Barham (uncredited)
Benson (uncredited)
Details
- Directed by
- Alfred Hitchcock
- Written by
- Alma Reville, Joan Harrison, Anthony Berkeley, Samson Raphaelson
- Type
- Movies
- Released
- 1941
- Runtime
- 99 min
- Country
- United States of America
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
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