Accattone
1961 · 117 min · Director: Pier Paolo Pasolini
Show plot summary (may contain spoilers)
A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.
Emotional fingerprint
Accattone (1961) — Movie. Top emotional signals: Melancholy 35%, Empathy 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy35%
- Empathy25%
- Sadness20%
- Tension20%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Empathy, Sadness. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Empathy and Sadness. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sympathy
- Sadness
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Disturbing
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Sympathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Sadness | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 47 % | 17 % | 18 % | 18 % |
| 7.5 % | ≈ 9′ | Humor | 51 % | 28 % | 29 % | 30 % |
| 12.5 % | ≈ 15′ | Disturbing | 61 % | 38 % | 39 % | 50 % |
| 17.5 % | ≈ 20′ | Tension | 68 % | 46 % | 38 % | 60 % |
| 22.5 % | ≈ 26′ | Disturbing | 74 % | 53 % | 34 % | 63 % |
| 27.5 % | ≈ 32′ | Tension | 70 % | 48 % | 35 % | 49 % |
| 32.5 % | ≈ 38′ | Sadness | 59 % | 45 % | 44 % | 30 % |
| 37.5 % | ≈ 44′ | Sadness | 59 % | 49 % | 50 % | 31 % |
| 42.5 % | ≈ 50′ | Tension | 64 % | 49 % | 49 % | 39 % |
| 47.5 % | ≈ 56′ | Humor | 60 % | 44 % | 40 % | 38 % |
| 52.5 % | ≈ 61′ | Tension | 54 % | 43 % | 31 % | 31 % |
| 57.5 % | ≈ 67′ | Sympathy | 55 % | 51 % | 36 % | 26 % |
| 62.5 % | ≈ 73′ | Sympathy | 59 % | 54 % | 40 % | 34 % |
| 67.5 % | ≈ 79′ | Disturbing | 64 % | 52 % | 40 % | 51 % |
| 72.5 % | ≈ 85′ | Sympathy | 71 % | 63 % | 50 % | 63 % |
| 77.5 % | ≈ 91′ | Sympathy | 70 % | 65 % | 50 % | 53 % |
| 82.5 % | ≈ 97′ | Sympathy | 64 % | 59 % | 44 % | 36 % |
| 87.5 % | ≈ 102′ | Sadness | 64 % | 57 % | 53 % | 38 % |
| 92.5 % | ≈ 108′ | Sadness | 66 % | 55 % | 59 % | 41 % |
| 97.5 % | ≈ 114′ | Sadness | 70 % | 53 % | 58 % | 40 % |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Accattone. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Mommoletto
Peppe il Folle
Il Tedesco
Balilla
Cartagine
Sabino
Lo Scucchia
Pio
Salvatore
Franco
Details
- Directed by
- Pier Paolo Pasolini
- Written by
- Pier Paolo Pasolini
- Type
- Movies
- Released
- 1961
- Runtime
- 117 min
- Country
- Italy
- Genres
- Drama
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Subscription
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