My Oxford Year
2025 · 113 min · Director: Iain Morris
Show plot summary (may contain spoilers)
An ambitious American fulfilling her dream of studying at Oxford falls for a charming Brit hiding a secret that may upend her perfectly planned life.
Emotional fingerprint
My Oxford Year (2025) — Movie. Top emotional signals: Love 30%, Melancholy 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love30%
- Melancholy25%
- Empathy20%
- Hope15%
- Humor10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Melancholy, Empathy. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Melancholy and Empathy. Its IMDb rating of 5.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Love
- Sadness
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Hope
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Sadness | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 42 % | 3 % | 3 % | 29 % |
| 7.5 % | ≈ 8′ | Humor | 41 % | 5 % | 6 % | 25 % |
| 12.5 % | ≈ 14′ | Humor | 38 % | 11 % | 13 % | 18 % |
| 17.5 % | ≈ 20′ | Humor | 38 % | 17 % | 13 % | 22 % |
| 22.5 % | ≈ 25′ | Hope | 43 % | 24 % | 8 % | 29 % |
| 27.5 % | ≈ 31′ | Humor | 47 % | 27 % | 7 % | 27 % |
| 32.5 % | ≈ 37′ | Humor | 47 % | 30 % | 6 % | 25 % |
| 37.5 % | ≈ 42′ | Love | 48 % | 39 % | 7 % | 28 % |
| 42.5 % | ≈ 48′ | Love | 53 % | 39 % | 21 % | 25 % |
| 47.5 % | ≈ 54′ | Sadness | 61 % | 28 % | 45 % | 17 % |
| 52.5 % | ≈ 59′ | Sadness | 63 % | 25 % | 55 % | 17 % |
| 57.5 % | ≈ 65′ | Sadness | 54 % | 26 % | 44 % | 18 % |
| 62.5 % | ≈ 71′ | Sadness | 47 % | 28 % | 27 % | 23 % |
| 67.5 % | ≈ 76′ | Humor | 52 % | 31 % | 24 % | 26 % |
| 72.5 % | ≈ 82′ | Sadness | 60 % | 34 % | 38 % | 23 % |
| 77.5 % | ≈ 88′ | Love | 62 % | 42 % | 43 % | 28 % |
| 82.5 % | ≈ 93′ | Hope | 61 % | 39 % | 43 % | 32 % |
| 87.5 % | ≈ 99′ | Sadness | 69 % | 42 % | 56 % | 30 % |
| 92.5 % | ≈ 105′ | Sadness | 73 % | 57 % | 55 % | 35 % |
| 97.5 % | ≈ 110′ | Love | 68 % | 62 % | 36 % | 41 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Tom Sethi
Mr De La Vega
Laura
Ridley
Professor Styan
Manu
Smithy
Lady Silver
Ian
Chip Shop Owner
Lord
Jack
Details
- Directed by
- Iain Morris
- Written by
- Julia Whelan, Allison Burnett, Melissa Osborne, Allison Burnett
- Type
- Movies
- Released
- 2025
- Runtime
- 113 min
- Country
- United States of America
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
