Great Expectations
1946 · 118 min · Director: David Lean
Show plot summary (may contain spoilers)
In this Dickens adaptation, orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.
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Emotional fingerprint
Great Expectations (1946) — Movie. Top emotional signals: Melancholy 30%, Empathy 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy30%
- Empathy25%
- Love20%
- Curiosity15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Empathy, Love. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Empathy and Love. Its IMDb rating of 7.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 75 % | 53 % | 23 % | 75 % |
| 7.5 % | ≈ 9′ | Tension | 73 % | 48 % | 20 % | 73 % |
| 12.5 % | ≈ 15′ | Tension | 64 % | 43 % | 18 % | 57 % |
| 17.5 % | ≈ 21′ | Curiosity | 57 % | 50 % | 29 % | 39 % |
| 22.5 % | ≈ 27′ | Sadness | 56 % | 55 % | 45 % | 31 % |
| 27.5 % | ≈ 32′ | Sadness | 55 % | 48 % | 46 % | 25 % |
| 32.5 % | ≈ 38′ | Curiosity | 59 % | 43 % | 39 % | 18 % |
| 37.5 % | ≈ 44′ | Hope | 58 % | 35 % | 25 % | 15 % |
| 42.5 % | ≈ 50′ | Curiosity | 50 % | 23 % | 11 % | 15 % |
| 47.5 % | ≈ 56′ | Hope | 53 % | 30 % | 19 % | 15 % |
| 52.5 % | ≈ 62′ | Empathy | 57 % | 46 % | 33 % | 23 % |
| 57.5 % | ≈ 68′ | Hope | 59 % | 43 % | 30 % | 38 % |
| 62.5 % | ≈ 74′ | Curiosity | 66 % | 36 % | 26 % | 52 % |
| 67.5 % | ≈ 80′ | Tension | 75 % | 45 % | 39 % | 64 % |
| 72.5 % | ≈ 86′ | Sadness | 75 % | 51 % | 48 % | 66 % |
| 77.5 % | ≈ 91′ | Tension | 71 % | 53 % | 40 % | 58 % |
| 82.5 % | ≈ 97′ | Empathy | 75 % | 64 % | 50 % | 53 % |
| 87.5 % | ≈ 103′ | Sadness | 83 % | 75 % | 71 % | 51 % |
| 92.5 % | ≈ 109′ | Sadness | 84 % | 76 % | 71 % | 36 % |
| 97.5 % | ≈ 115′ | Hope | 82 % | 72 % | 60 % | 27 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Biddy
Convict
The Pale Young Gentleman
The Aged Parent
Mr. Wopsle
The Sergeant
Mrs. Wopsle
Details
- Directed by
- David Lean
- Written by
- Charles Dickens, Ronald Neame, David Lean, Cecil McGivern, Anthony Havelock-Allan, Kay Walsh
- Type
- Movies
- Released
- 1946
- Runtime
- 118 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Melancholy
- Data updated
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