feeldb

Risqué

2025 · 91 min · Director: Tony Dean Smith, Tony Dean Smith ★ IMDb 4.9 · 549 ratings

Show plot summary (may contain spoilers)

Fired from a strip club, a vengeful dancer masterminds a high-stakes heist with fellow strippers to take down the corrupt boss and the men who underestimate them.

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Emotional fingerprint

Risqué (2025) — Movie. Top emotional signals: Excitement 35%, Tension 25%, Anger 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Anger20%
  2. Hope10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Excitement, Tension, Anger. Genres: Thriller, Crime, Action. AI estimate.

Is it worth watching?

Consider this title if you are looking for Excitement, Tension and Anger. Its IMDb rating of 4.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 62/100.

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Emotional journey

AI · from subtitles
  • Tension
  • Excitement
  • Humor

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Tension

Dominant emotion: Humor

Dominant emotion: Sadness

Dominant emotion: Excitement

Dominant emotion: Relief

Tension
Excitement
Humor
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 88 %, then dips around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionExcitementHumor
2.5 %≈ 2′Tension37 %26 %20 %23 %
7.5 %≈ 7′Humor40 %24 %19 %34 %
12.5 %≈ 11′Humor46 %32 %16 %34 %
17.5 %≈ 16′Tension51 %36 %13 %28 %
22.5 %≈ 20′Humor50 %28 %10 %29 %
27.5 %≈ 25′Sadness48 %28 %18 %24 %
32.5 %≈ 30′Excitement48 %35 %31 %20 %
37.5 %≈ 34′Excitement48 %34 %36 %30 %
42.5 %≈ 39′Humor49 %28 %35 %44 %
47.5 %≈ 43′Humor53 %33 %38 %48 %
52.5 %≈ 48′Tension56 %40 %43 %44 %
57.5 %≈ 52′Humor53 %35 %41 %44 %
62.5 %≈ 57′Humor50 %34 %31 %44 %
67.5 %≈ 61′Humor55 %45 %29 %35 %
72.5 %≈ 66′Tension66 %60 %41 %20 %
77.5 %≈ 71′Tension72 %69 %46 %18 %
82.5 %≈ 75′Tension77 %74 %46 %24 %
87.5 %≈ 80′Tension83 %66 %57 %28 %
92.5 %≈ 84′Relief74 %33 %48 %25 %
97.5 %≈ 89′Sadness57 %7 %22 %13 %
Icarus

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Kadri — your film companion

AI

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

LG
Leah Gibson

LG
Leah Gibson

Jessica

EL
Eloise Lovell Anderson

EL
Eloise Lovell Anderson

Shelby

SO
Silvia Orduna

RA
Rex Adams

JS
Julia Strowski

JU
Julia Ueno

Kiko

DT
David Thomas Newman

AR
Alexsandria Ralev

AR
Alexsandria Ralev

Jeanie

EO
Ephraim O.P. Sampson

Floyd

Details

Directed by
Tony Dean Smith, Tony Dean Smith
Written by
Gary Preisler, Noah Blake, Noah Blake
Type
Movies
Released
2025
Runtime
91 min
Country
United States of America
Ratings
★ IMDb 4.9 · 549 ratings
Feels mostly
Excitement
Data updated

Where to watch

Data: JustWatch

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Emotion overlap shows mood similarity, not a prediction of enjoyment.