If I Had Legs I'd Kick You
2025 · 113 min · Director: Mary Bronstein
Show plot summary (may contain spoilers)
With her life crashing down around her, Linda attempts to navigate her child's mysterious illness, her absent husband, a missing person, and an increasingly hostile relationship with her therapist.
Emotional fingerprint
If I Had Legs I'd Kick You (2025) — Movie. Top emotional signals: Anxiety 35%, Sadness 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Sadness, Empathy. Genres: Thriller, Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Sadness and Empathy. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Anxiety
- Tension
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Anxiety
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Anxiety | Tension | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Empathy | 53 % | 43 % | 40 % | 30 % |
| 7.5 % | ≈ 8′ | Anxiety | 56 % | 49 % | 46 % | 30 % |
| 12.5 % | ≈ 14′ | Empathy | 49 % | 43 % | 40 % | 24 % |
| 17.5 % | ≈ 20′ | Anxiety | 50 % | 45 % | 40 % | 24 % |
| 22.5 % | ≈ 25′ | Anxiety | 53 % | 49 % | 41 % | 28 % |
| 27.5 % | ≈ 31′ | Anxiety | 51 % | 45 % | 40 % | 29 % |
| 32.5 % | ≈ 37′ | Anxiety | 57 % | 51 % | 50 % | 34 % |
| 37.5 % | ≈ 42′ | Tension | 65 % | 59 % | 60 % | 35 % |
| 42.5 % | ≈ 48′ | Anxiety | 62 % | 57 % | 58 % | 33 % |
| 47.5 % | ≈ 54′ | Anxiety | 60 % | 56 % | 54 % | 36 % |
| 52.5 % | ≈ 59′ | Anxiety | 63 % | 56 % | 55 % | 36 % |
| 57.5 % | ≈ 65′ | Disturbing | 64 % | 54 % | 55 % | 28 % |
| 62.5 % | ≈ 71′ | Disturbing | 69 % | 59 % | 63 % | 28 % |
| 67.5 % | ≈ 76′ | Tension | 76 % | 61 % | 64 % | 46 % |
| 72.5 % | ≈ 82′ | Sadness | 76 % | 54 % | 51 % | 61 % |
| 77.5 % | ≈ 88′ | Empathy | 73 % | 57 % | 55 % | 54 % |
| 82.5 % | ≈ 93′ | Tension | 79 % | 71 % | 74 % | 41 % |
| 87.5 % | ≈ 99′ | Tension | 86 % | 79 % | 84 % | 45 % |
| 92.5 % | ≈ 105′ | Tension | 75 % | 61 % | 65 % | 51 % |
| 97.5 % | ≈ 110′ | Sadness | 53 % | 30 % | 32 % | 43 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Diana
Breathworker
Kate
Vanessa
Police Officer
Melanie
Nurse
Details
- Directed by
- Mary Bronstein
- Written by
- Mary Bronstein
- Type
- Movies
- Released
- 2025
- Runtime
- 113 min
- Country
- United States of America
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
