Siapa Dia
2025 · 102 min · Director: Garin Nugroho
Show plot summary (may contain spoilers)
Layar, a popular film star who feels bored with his career wants to make a musical theater set in a family history that is always linked to Indonesian film history.
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Emotional fingerprint
Siapa Dia (2025) — Movie. Top emotional signals: Melancholy 30%, Curiosity 25%, Inspiration 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy30%
- Curiosity25%
- Inspiration20%
- Love15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Curiosity, Inspiration. Genres: Drama, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Curiosity and Inspiration. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Hope
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 32 % | 10 % | 18 % | 17 % |
| 7.5 % | ≈ 8′ | Joy | 31 % | 11 % | 13 % | 18 % |
| 12.5 % | ≈ 13′ | Hope | 36 % | 11 % | 8 % | 20 % |
| 17.5 % | ≈ 18′ | Joy | 51 % | 26 % | 19 % | 16 % |
| 22.5 % | ≈ 23′ | Sadness | 65 % | 50 % | 38 % | 16 % |
| 27.5 % | ≈ 28′ | Love | 56 % | 40 % | 39 % | 23 % |
| 32.5 % | ≈ 33′ | Joy | 48 % | 15 % | 29 % | 33 % |
| 37.5 % | ≈ 38′ | Hope | 56 % | 9 % | 21 % | 40 % |
| 42.5 % | ≈ 43′ | Tension | 69 % | 28 % | 14 % | 29 % |
| 47.5 % | ≈ 48′ | Sadness | 70 % | 46 % | 10 % | 14 % |
| 52.5 % | ≈ 54′ | Tension | 59 % | 43 % | 14 % | 10 % |
| 57.5 % | ≈ 59′ | Sadness | 59 % | 44 % | 19 % | 10 % |
| 62.5 % | ≈ 64′ | Tension | 66 % | 50 % | 16 % | 9 % |
| 67.5 % | ≈ 69′ | Sadness | 66 % | 54 % | 19 % | 10 % |
| 72.5 % | ≈ 74′ | Sadness | 66 % | 60 % | 28 % | 21 % |
| 77.5 % | ≈ 79′ | Sadness | 65 % | 57 % | 31 % | 35 % |
| 82.5 % | ≈ 84′ | Hope | 65 % | 55 % | 39 % | 36 % |
| 87.5 % | ≈ 89′ | Sadness | 73 % | 50 % | 49 % | 40 % |
| 92.5 % | ≈ 94′ | Hope | 64 % | 26 % | 43 % | 44 % |
| 97.5 % | ≈ 99′ | Joy | 42 % | 10 % | 25 % | 30 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Layar / Nicolas / Kabel / Saputra
Samo / Ong
Sari
Mbak Kenes
Komar / Japanese Commander
Ravi
Thia / Street Children
Dr. Huyung / Japanese Soldier
Armin / Street Children
Supporting
Supporting
Supporting
Details
- Directed by
- Garin Nugroho
- Written by
- Garin Nugroho
- Type
- Movies
- Released
- 2025
- Runtime
- 102 min
- Country
- Indonesia
- Ratings
- Feels mostly
- Melancholy
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





