Playoff
2011 · 107 min · Director: Eran Riklis
Show plot summary (may contain spoilers)
In the 1980s, an Israeli refugee, deemed a traitor, coaches West Germany's basketball team.
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Emotional fingerprint
Playoff (2011) — Movie. Top emotional signals: Inspiration 30%, Empathy 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Inspiration30%
- Empathy25%
- Anxiety20%
- Excitement15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Inspiration, Empathy, Anxiety. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Inspiration, Empathy and Anxiety. Its IMDb rating of 5.5/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Hope
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 45 % | 8 % | 17 % | 23 % |
| 7.5 % | ≈ 8′ | Hope | 45 % | 11 % | 19 % | 35 % |
| 12.5 % | ≈ 13′ | Hope | 45 % | 16 % | 25 % | 35 % |
| 17.5 % | ≈ 19′ | Curiosity | 50 % | 32 % | 41 % | 23 % |
| 22.5 % | ≈ 24′ | Sadness | 57 % | 49 % | 56 % | 23 % |
| 27.5 % | ≈ 29′ | Empathy | 56 % | 41 % | 50 % | 26 % |
| 32.5 % | ≈ 35′ | Tension | 51 % | 30 % | 38 % | 21 % |
| 37.5 % | ≈ 40′ | Sadness | 51 % | 38 % | 41 % | 19 % |
| 42.5 % | ≈ 45′ | Sadness | 56 % | 45 % | 49 % | 25 % |
| 47.5 % | ≈ 51′ | Tension | 65 % | 46 % | 53 % | 26 % |
| 52.5 % | ≈ 56′ | Tension | 75 % | 57 % | 64 % | 16 % |
| 57.5 % | ≈ 62′ | Sadness | 80 % | 73 % | 76 % | 13 % |
| 62.5 % | ≈ 67′ | Sadness | 70 % | 64 % | 70 % | 23 % |
| 67.5 % | ≈ 72′ | Hope | 59 % | 48 % | 59 % | 30 % |
| 72.5 % | ≈ 78′ | Empathy | 61 % | 51 % | 59 % | 25 % |
| 77.5 % | ≈ 83′ | Sadness | 65 % | 55 % | 60 % | 28 % |
| 82.5 % | ≈ 88′ | Empathy | 70 % | 55 % | 66 % | 36 % |
| 87.5 % | ≈ 94′ | Empathy | 76 % | 49 % | 63 % | 44 % |
| 92.5 % | ≈ 99′ | Hope | 77 % | 32 % | 45 % | 58 % |
| 97.5 % | ≈ 104′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Ronit
Shimi
Reporter (Taxi)
Reporter (VIP Room)
Cameraman
Reporter (VIP)
Border Police Man
Policeman
Chestnut seller
Policeman
Woman Night Club
Details
- Directed by
- Eran Riklis
- Written by
- Eran Riklis, David Akerman, Gidon Maron
- Type
- Movies
- Released
- 2011
- Runtime
- 107 min
- Country
- France, Germany, Israel
- Genres
- Drama
- Ratings
- Feels mostly
- Inspiration
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





