From Justin to Kelly
2003 · 81 min · Director: Robert Iscove
Show plot summary (may contain spoilers)
A waitress from Texas and a college student from Pennsylvania meet during spring break in Fort Lauderdale, Florida and come together through their shared love of singing.
Your viewing check-in
Emotional fingerprint
From Justin to Kelly (2003) — Movie. Top emotional signals: Humor 30%, Love 25%, Smile 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Love25%
- Smile20%
- Excitement15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Smile. Genres: Comedy, Romance, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Smile. Its IMDb rating of 1.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 54/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Joy
- Love
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Love | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Joy | 40 % | 35 % | 13 % | 33 % |
| 7.5 % | ≈ 6′ | Joy | 46 % | 41 % | 12 % | 38 % |
| 12.5 % | ≈ 10′ | Joy | 48 % | 43 % | 16 % | 36 % |
| 17.5 % | ≈ 14′ | Joy | 45 % | 35 % | 23 % | 35 % |
| 22.5 % | ≈ 18′ | Humor | 44 % | 26 % | 25 % | 38 % |
| 27.5 % | ≈ 22′ | Love | 41 % | 26 % | 30 % | 31 % |
| 32.5 % | ≈ 26′ | Joy | 43 % | 30 % | 30 % | 30 % |
| 37.5 % | ≈ 30′ | Humor | 49 % | 29 % | 30 % | 38 % |
| 42.5 % | ≈ 34′ | Love | 54 % | 30 % | 41 % | 40 % |
| 47.5 % | ≈ 38′ | Humor | 50 % | 29 % | 39 % | 40 % |
| 52.5 % | ≈ 43′ | Humor | 44 % | 21 % | 26 % | 36 % |
| 57.5 % | ≈ 47′ | Sadness | 45 % | 15 % | 21 % | 30 % |
| 62.5 % | ≈ 51′ | Sadness | 50 % | 16 % | 19 % | 25 % |
| 67.5 % | ≈ 55′ | Tension | 54 % | 18 % | 16 % | 19 % |
| 72.5 % | ≈ 59′ | Sadness | 55 % | 14 % | 16 % | 15 % |
| 77.5 % | ≈ 63′ | Sadness | 56 % | 13 % | 21 % | 13 % |
| 82.5 % | ≈ 67′ | Sadness | 60 % | 22 % | 34 % | 16 % |
| 87.5 % | ≈ 71′ | Love | 63 % | 41 % | 44 % | 28 % |
| 92.5 % | ≈ 75′ | Joy | 56 % | 49 % | 40 % | 28 % |
| 97.5 % | ≈ 79′ | Joy | 47 % | 42 % | 35 % | 17 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Kelly
Officer Cutler
Ashley
Brianna
Lizzie
Vee Jay
Vee Jay #2
Motel Clerk
Bracelet Girl
Details
- Directed by
- Robert Iscove
- Written by
- Kim Fuller
- Type
- Movies
- Released
- 2003
- Runtime
- 81 min
- Country
- United States of America
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





