feeldb

Children Shouldn't Play with Dead Things

1972 · 86 min · Director: Bob Clark ★ IMDb 5.2 · 5,559 ratings

Show plot summary (may contain spoilers)

Six actors go to a graveyard on a remote island to act out a necromantic ritual. The ritual works, and soon the dead are walking about and chowing down on human flesh.

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Emotional fingerprint

Children Shouldn't Play with Dead Things (1972) — Movie. Top emotional signals: Fear 35%, Humor 25%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

35%Fear
25%Humor
  1. Fear35%
  2. Humor25%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Fear, Humor, Disturbing. Genres: Comedy, Horror. AI estimate.

Is it worth watching?

Consider this title if you are looking for Fear, Humor and Disturbing. Its IMDb rating of 5.2/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 58/100.

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Emotional journey

AI · from subtitles
  • Tension
  • Fear
  • Disturbing

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Fear

Dominant emotion: Humor

Dominant emotion: Disturbing

Dominant emotion: Tension

Tension
Fear
Disturbing
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 8 %, then rises around 73 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionFearDisturbing
2.5 %≈ 2′Fear47 %38 %35 %23 %
7.5 %≈ 6′Humor44 %31 %24 %18 %
12.5 %≈ 11′Humor44 %31 %21 %18 %
17.5 %≈ 15′Humor45 %36 %25 %20 %
22.5 %≈ 19′Humor46 %35 %21 %23 %
27.5 %≈ 24′Humor51 %32 %21 %31 %
32.5 %≈ 28′Humor53 %33 %24 %38 %
37.5 %≈ 32′Humor49 %35 %20 %39 %
42.5 %≈ 37′Disturbing50 %41 %21 %40 %
47.5 %≈ 41′Humor53 %41 %23 %34 %
52.5 %≈ 45′Humor55 %31 %16 %30 %
57.5 %≈ 49′Humor56 %26 %11 %36 %
62.5 %≈ 54′Humor55 %34 %13 %44 %
67.5 %≈ 58′Disturbing61 %49 %29 %53 %
72.5 %≈ 62′Tension73 %65 %55 %56 %
77.5 %≈ 67′Tension81 %78 %73 %56 %
82.5 %≈ 71′Tension88 %86 %81 %61 %
87.5 %≈ 75′Tension89 %88 %81 %64 %
92.5 %≈ 80′Tension89 %84 %79 %65 %
97.5 %≈ 84′Fear92 %83 %83 %70 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

VM
Valerie Mamches

JG
Jeff Gillen

JG
Jeff Gillen

Jeff

AO
Anya Ormsby

PC
Paul Cronin

JD
Jane Daly

JD
Jane Daly

Terry

RE
Roy Engleman

RP
Robert Philip

BS
Bruce Solomon

BS
Bruce Solomon

Winns

AB
Alecs Baird

SS
Seth Sklarey

Orville Dunworth

BS
Bob Sherman

Ghoul

WR
William R. 'Bob' Smedley

Tallest Dead Thing

DC
Debbie Cummins

Ghoul

Details

Directed by
Bob Clark
Type
Movies
Released
1972
Runtime
86 min
Country
United States of America
Genres
Comedy, Horror
Ratings
★ IMDb 5.2 · 5,559 ratings
Feels mostly
Fear
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.