feeldb

Hansel & Gretel

2013 · 90 min · Director: Anthony C. Ferrante ★ IMDb 2.9 · 3,277 ratings

Show plot summary (may contain spoilers)

In this modern retelling of the classic horror tale, teen siblings are enslaved by a psychotic recluse within her gruesome house of horrors in the woods.

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Emotional fingerprint

Hansel & Gretel (2013) — Movie. Top emotional signals: Fear 35%, Tension 25%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Fear35%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Fear, Tension, Disturbing. Genres: Horror. AI estimate.

Is it worth watching?

Consider this title if you are looking for Fear, Tension and Disturbing. Its IMDb rating of 2.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 55/100.

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Emotional journey

AI · from subtitles
  • Tension
  • Disturbing
  • Fear

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Tension

Dominant emotion: Disturbing

Dominant emotion: Disgust

Dominant emotion: Relief

Tension
Disturbing
Fear
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 23 %, then peaks around 73 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionDisturbingFear
2.5 %≈ 2′Tension32 %24 %8 %14 %
7.5 %≈ 7′Tension35 %26 %8 %11 %
12.5 %≈ 11′Tension40 %32 %15 %16 %
17.5 %≈ 16′Tension48 %43 %31 %29 %
22.5 %≈ 20′Tension63 %59 %53 %49 %
27.5 %≈ 25′Disturbing75 %70 %69 %64 %
32.5 %≈ 29′Tension75 %71 %69 %62 %
37.5 %≈ 34′Tension76 %69 %69 %56 %
42.5 %≈ 38′Disgust83 %73 %76 %63 %
47.5 %≈ 43′Tension84 %78 %70 %70 %
52.5 %≈ 47′Tension79 %76 %60 %66 %
57.5 %≈ 52′Tension78 %76 %61 %64 %
62.5 %≈ 56′Tension83 %79 %71 %72 %
67.5 %≈ 61′Disturbing88 %80 %82 %76 %
72.5 %≈ 65′Disgust88 %79 %81 %73 %
77.5 %≈ 70′Tension85 %80 %66 %72 %
82.5 %≈ 74′Tension84 %82 %58 %75 %
87.5 %≈ 79′Tension86 %82 %67 %73 %
92.5 %≈ 83′Relief78 %69 %66 %56 %
97.5 %≈ 88′Disturbing66 %52 %57 %37 %
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

SG
Stephanie Greco

BL
Brent Lydic

JC
Jasper Cole

JC
Jasper Cole

John

SF
Sara Fletcher

SF
Sara Fletcher

Jane

MS
M. Steven Felty

MS
M. Steven Felty

Sheriff Woody Meckes

CP
Clark Perry

FG
Frank Giarmona

TC
Trish Coren

TC
Trish Coren

Ruby Lumiers

SH
Steve Hanks

Brandon Grimm

AB
Adrian Bustamante

Deputy Jerry Carter

LW
Lydia Woods

Dana

MP
Mariangela Pagan

Sylvia

JN
Jonathan Nation

Jane's Father

JB
Jerey Basia

Double

Details

Written by
Jose Prendes
Type
Movies
Released
2013
Runtime
90 min
Genres
Horror
Ratings
★ IMDb 2.9 · 3,277 ratings
Feels mostly
Fear
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.