Woman on the Run
1950 · 77 min · Director: Norman Foster
Show plot summary (may contain spoilers)
Frank Johnson, a sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris, on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor, suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett, Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.
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Emotional fingerprint
Woman on the Run (1950) — Movie. Top emotional signals: Tension 30%, Anxiety 25%, Anticipation 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension30%
- Anxiety25%
- Anticipation20%
- Empathy15%
- Surprise10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Anxiety, Anticipation. Genres: Thriller, Mystery, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Anxiety and Anticipation. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 74 % | 70 % | 50 % | 12 % |
| 7.5 % | ≈ 6′ | Curiosity | 62 % | 54 % | 55 % | 9 % |
| 12.5 % | ≈ 10′ | Curiosity | 50 % | 36 % | 55 % | 14 % |
| 17.5 % | ≈ 13′ | Curiosity | 49 % | 33 % | 51 % | 23 % |
| 22.5 % | ≈ 17′ | Curiosity | 53 % | 34 % | 48 % | 20 % |
| 27.5 % | ≈ 21′ | Humor | 58 % | 36 % | 44 % | 24 % |
| 32.5 % | ≈ 25′ | Sadness | 59 % | 41 % | 45 % | 40 % |
| 37.5 % | ≈ 29′ | Curiosity | 56 % | 41 % | 50 % | 39 % |
| 42.5 % | ≈ 33′ | Curiosity | 57 % | 45 % | 55 % | 33 % |
| 47.5 % | ≈ 37′ | Curiosity | 56 % | 41 % | 56 % | 36 % |
| 52.5 % | ≈ 40′ | Curiosity | 52 % | 29 % | 50 % | 38 % |
| 57.5 % | ≈ 44′ | Sadness | 52 % | 29 % | 44 % | 39 % |
| 62.5 % | ≈ 48′ | Curiosity | 49 % | 33 % | 43 % | 38 % |
| 67.5 % | ≈ 52′ | Sadness | 53 % | 40 % | 44 % | 43 % |
| 72.5 % | ≈ 56′ | Sadness | 65 % | 55 % | 50 % | 46 % |
| 77.5 % | ≈ 60′ | Relief | 67 % | 61 % | 55 % | 36 % |
| 82.5 % | ≈ 64′ | Tension | 66 % | 63 % | 56 % | 27 % |
| 87.5 % | ≈ 67′ | Tension | 75 % | 72 % | 61 % | 19 % |
| 92.5 % | ≈ 71′ | Tension | 87 % | 85 % | 56 % | 14 % |
| 97.5 % | ≈ 75′ | Tension | 93 % | 93 % | 42 % | 17 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Woman on the Run. From the film’s own dialogue and FeelDB data, at your spoiler level.
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Suzie
Sullivan
Chinese Waiter (uncredited)
Irish Cop (uncredited)
Details
- Directed by
- Norman Foster
- Written by
- Norman Foster, Alan Campbell
- Type
- Movies
- Released
- 1950
- Runtime
- 77 min
- Country
- United States of America
- Ratings
- Feels mostly
- Tension
- Data updated
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