Sherlock Holmes and the Voice of Terror
1942 · 65 min · Director: John Rawlins
Show plot summary (may contain spoilers)
England, at the start of World War Two. Mysterious wireless broadcasts, apparently from Nazi Germany are heard over the BBC. They warn of acts of terror in England, just before they take place. Baffled, the Defense Committee call in Sherlock Holmes.
Emotional fingerprint
Sherlock Holmes and the Voice of Terror (1942) — Movie. Top emotional signals: Tension 30%, Curiosity 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension30%
- Curiosity25%
- Fear20%
- Excitement15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Curiosity, Fear. Genres: Thriller, Mystery, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Curiosity and Fear. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Curiosity
- Tension
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Tension | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 70 % | 47 % | 63 % | 3 % |
| 7.5 % | ≈ 5′ | Curiosity | 69 % | 53 % | 59 % | 5 % |
| 12.5 % | ≈ 8′ | Tension | 65 % | 49 % | 55 % | 4 % |
| 17.5 % | ≈ 11′ | Curiosity | 57 % | 48 % | 46 % | 3 % |
| 22.5 % | ≈ 15′ | Curiosity | 62 % | 55 % | 55 % | 1 % |
| 27.5 % | ≈ 18′ | Tension | 69 % | 53 % | 63 % | 0 % |
| 32.5 % | ≈ 21′ | Sadness | 66 % | 50 % | 50 % | 4 % |
| 37.5 % | ≈ 24′ | Curiosity | 66 % | 55 % | 50 % | 8 % |
| 42.5 % | ≈ 28′ | Tension | 72 % | 64 % | 63 % | 5 % |
| 47.5 % | ≈ 31′ | Curiosity | 76 % | 71 % | 69 % | 3 % |
| 52.5 % | ≈ 34′ | Tension | 77 % | 61 % | 73 % | 14 % |
| 57.5 % | ≈ 37′ | Tension | 73 % | 51 % | 66 % | 28 % |
| 62.5 % | ≈ 41′ | Curiosity | 68 % | 63 % | 55 % | 20 % |
| 67.5 % | ≈ 44′ | Curiosity | 69 % | 71 % | 59 % | 8 % |
| 72.5 % | ≈ 47′ | Tension | 74 % | 61 % | 69 % | 3 % |
| 77.5 % | ≈ 50′ | Tension | 77 % | 53 % | 74 % | 3 % |
| 82.5 % | ≈ 54′ | Tension | 77 % | 61 % | 76 % | 10 % |
| 87.5 % | ≈ 57′ | Tension | 80 % | 75 % | 75 % | 21 % |
| 92.5 % | ≈ 60′ | Curiosity | 83 % | 65 % | 56 % | 44 % |
| 97.5 % | ≈ 63′ | Relief | 84 % | 38 % | 32 % | 68 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Sherlock Holmes and the Voice of Terror. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Details
- Directed by
- John Rawlins
- Written by
- Arthur Conan Doyle, John Bright, Lynn Riggs
- Type
- Movies
- Released
- 1942
- Runtime
- 65 min
- Country
- United States of America
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Subscription
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
