Minnie and Moskowitz
1971 · 115 min · Director: John Cassavetes
Show plot summary (may contain spoilers)
Depressed and jaded after being dumped by her married boyfriend, aging beauty Minnie Moore wonders if she'll ever find love. After shaggy-haired parking lot attendant Seymour Moskowitz comes to her defense from an angry and rebuffed blind date, he falls hopelessly in love with her despite their myriad differences. Minnie reluctantly agrees to a date with Moskowitz, and, slowly but surely, an unlikely romance blossoms between the two.
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Emotional fingerprint
Minnie and Moskowitz (1971) — Movie. Top emotional signals: Love 30%, Humor 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Humor, Empathy. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Humor and Empathy. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 43 % | 32 % | 0 % | 10 % |
| 7.5 % | ≈ 9′ | Humor | 43 % | 21 % | 3 % | 21 % |
| 12.5 % | ≈ 14′ | Tension | 41 % | 15 % | 8 % | 29 % |
| 17.5 % | ≈ 20′ | Humor | 41 % | 23 % | 10 % | 19 % |
| 22.5 % | ≈ 26′ | Sadness | 54 % | 41 % | 10 % | 24 % |
| 27.5 % | ≈ 32′ | Tension | 69 % | 57 % | 11 % | 45 % |
| 32.5 % | ≈ 37′ | Sadness | 64 % | 54 % | 11 % | 44 % |
| 37.5 % | ≈ 43′ | Humor | 56 % | 32 % | 13 % | 42 % |
| 42.5 % | ≈ 49′ | Tension | 66 % | 30 % | 14 % | 59 % |
| 47.5 % | ≈ 55′ | Sadness | 70 % | 41 % | 11 % | 57 % |
| 52.5 % | ≈ 60′ | Humor | 56 % | 35 % | 18 % | 35 % |
| 57.5 % | ≈ 66′ | Sadness | 52 % | 40 % | 25 % | 21 % |
| 62.5 % | ≈ 72′ | Sadness | 59 % | 49 % | 29 % | 19 % |
| 67.5 % | ≈ 78′ | Hope | 57 % | 35 % | 40 % | 24 % |
| 72.5 % | ≈ 83′ | Love | 55 % | 30 % | 41 % | 38 % |
| 77.5 % | ≈ 89′ | Sadness | 60 % | 38 % | 28 % | 53 % |
| 82.5 % | ≈ 95′ | Tension | 70 % | 35 % | 26 % | 64 % |
| 87.5 % | ≈ 101′ | Tension | 70 % | 23 % | 38 % | 54 % |
| 92.5 % | ≈ 106′ | Humor | 66 % | 13 % | 49 % | 29 % |
| 97.5 % | ≈ 112′ | Love | 70 % | 10 % | 60 % | 17 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Girl
Dick Henderson
Ned
Minister
Young Girl in Ballet Tutu (uncredited)
Baby Girl (uncredited)
Husband (uncredited)
Jim's Son (uncredited)
Details
- Directed by
- John Cassavetes
- Written by
- John Cassavetes
- Type
- Movies
- Released
- 1971
- Runtime
- 115 min
- Country
- United States of America
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





