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The Figo Affair: The Transfer That Changed Football

2022 · 105 min · Director: Ben Nicholas, David Tryhorn ★ IMDb 7.1 · 6,832 ratings

Show plot summary (may contain spoilers)

This documentary spotlights one of the most contentious deals in football history and the extraordinary player at the center of the storm: Luís Figo.

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Emotional fingerprint

The Figo Affair: The Transfer That Changed Football (2022) — Movie. Top emotional signals: Tension 30%, Curiosity 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Envy15%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Tension, Curiosity, Excitement. Genres: Documentary. AI estimate.

Is it worth watching?

Consider this title if you are looking for Tension, Curiosity and Excitement. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Curiosity
  • Tension
  • Empathy

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Tension

Dominant emotion: Excitement

Dominant emotion: Curiosity

Dominant emotion: Empathy

Dominant emotion: Sadness

Curiosity
Tension
Empathy
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity peaks around 88 %, then dips around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityCuriosityTensionEmpathy
2.5 %≈ 3′Tension65 %57 %53 %27 %
7.5 %≈ 8′Excitement57 %40 %27 %30 %
12.5 %≈ 13′Excitement56 %34 %15 %28 %
17.5 %≈ 18′Excitement55 %46 %21 %15 %
22.5 %≈ 24′Curiosity55 %60 %31 %9 %
27.5 %≈ 29′Curiosity57 %64 %41 %15 %
32.5 %≈ 34′Curiosity59 %64 %48 %19 %
37.5 %≈ 39′Curiosity61 %69 %49 %14 %
42.5 %≈ 45′Curiosity63 %71 %49 %10 %
47.5 %≈ 50′Curiosity60 %61 %48 %19 %
52.5 %≈ 55′Empathy57 %51 %45 %35 %
57.5 %≈ 60′Curiosity61 %56 %54 %38 %
62.5 %≈ 66′Curiosity68 %63 %66 %34 %
67.5 %≈ 71′Tension70 %61 %70 %40 %
72.5 %≈ 76′Tension66 %54 %61 %49 %
77.5 %≈ 81′Empathy65 %44 %54 %56 %
82.5 %≈ 87′Tension75 %38 %68 %59 %
87.5 %≈ 92′Tension77 %31 %71 %53 %
92.5 %≈ 97′Sadness63 %28 %44 %46 %
97.5 %≈ 102′Empathy52 %27 %22 %47 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

LF
Luís Figo

LF
Luís Figo

Self

RC
Roberto Carlos

RC
Roberto Carlos

Self

FH
Fernando Hierro

JR
José Ramón de la Morena

JV
Jorge Valdano

PF
Paulo Futre

JV
José Veiga

JG
Joan Gaspart

JG
Joan Gaspart

Self

FP
Florentino Pérez

FP
Florentino Pérez

Self

HS
Hugo Sánchez

Self (archive footage)

Details

Directed by
Ben Nicholas, David Tryhorn
Type
Movies
Released
2022
Runtime
105 min
Country
Spain, United Kingdom
Ratings
★ IMDb 7.1 · 6,832 ratings
Feels mostly
Tension
Data updated

Where to watch

Data: JustWatch

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Emotion overlap shows mood similarity, not a prediction of enjoyment.