Ghosthouse
1988 · 95 min · Director: Umberto Lenzi
Show plot summary (may contain spoilers)
A group of unlikely companions receive a radio call leading to a deserted house with a grisly past.
Emotional fingerprint
Ghosthouse (1988) — Movie. Top emotional signals: Fear 40%, Tension 25%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Fear40%
- Tension25%
- Disturbing20%
- Anxiety10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Tension, Disturbing. Genres: Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Tension and Disturbing. Its IMDb rating of 4.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 58/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Fear
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Disturbing
Dominant emotion: Fear
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Fear | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Disturbing | 53 % | 43 % | 35 % | 28 % |
| 7.5 % | ≈ 7′ | Fear | 51 % | 43 % | 40 % | 35 % |
| 12.5 % | ≈ 12′ | Curiosity | 53 % | 46 % | 43 % | 46 % |
| 17.5 % | ≈ 17′ | Curiosity | 51 % | 45 % | 36 % | 51 % |
| 22.5 % | ≈ 21′ | Curiosity | 55 % | 48 % | 39 % | 51 % |
| 27.5 % | ≈ 26′ | Tension | 64 % | 59 % | 51 % | 48 % |
| 32.5 % | ≈ 31′ | Tension | 74 % | 73 % | 65 % | 44 % |
| 37.5 % | ≈ 36′ | Tension | 76 % | 76 % | 68 % | 43 % |
| 42.5 % | ≈ 40′ | Tension | 68 % | 64 % | 55 % | 50 % |
| 47.5 % | ≈ 45′ | Disturbing | 63 % | 51 % | 44 % | 60 % |
| 52.5 % | ≈ 50′ | Curiosity | 59 % | 48 % | 36 % | 57 % |
| 57.5 % | ≈ 55′ | Tension | 55 % | 49 % | 35 % | 50 % |
| 62.5 % | ≈ 59′ | Curiosity | 57 % | 50 % | 39 % | 51 % |
| 67.5 % | ≈ 64′ | Disturbing | 64 % | 56 % | 48 % | 50 % |
| 72.5 % | ≈ 69′ | Tension | 71 % | 69 % | 60 % | 44 % |
| 77.5 % | ≈ 74′ | Tension | 78 % | 78 % | 68 % | 39 % |
| 82.5 % | ≈ 78′ | Tension | 81 % | 79 % | 74 % | 26 % |
| 87.5 % | ≈ 83′ | Fear | 79 % | 73 % | 74 % | 18 % |
| 92.5 % | ≈ 88′ | Fear | 68 % | 60 % | 57 % | 21 % |
| 97.5 % | ≈ 93′ | Disturbing | 57 % | 48 % | 38 % | 27 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Ghosthouse. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Susan
Details
- Directed by
- Umberto Lenzi
- Written by
- Umberto Lenzi, Cinthia McGavin
- Type
- Movies
- Released
- 1988
- Runtime
- 95 min
- Country
- Italy
- Genres
- Horror
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Subscription
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
