Lord of the Ants
2022 · 134 min · Director: Gianni Amelio
Show plot summary (may contain spoilers)
Based on true events of the late 60s in Italy, poet, playwright and myrmecologist Aldo Braibanti is prosecuted and sentenced to prison for the love he shares with his barely-of-age pupil and friend, Ettore. Amidst a chorus of voices of accusers, supporters and a largely hypocritical public, a single committed journalist takes on the task of piecing together the truth, between secrecy and desire, facing suspicion and censorship in the process.
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Emotional fingerprint
Lord of the Ants (2022) — Movie. Top emotional signals: Sadness 35%, Empathy 25%, Anxiety 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Empathy25%
- Anxiety15%
- Inspiration15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Anxiety. Genres: Drama, History. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Anxiety. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Anger
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion: Anger
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Anger |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Love | 47 % | 38 % | 23 % | 17 % |
| 7.5 % | ≈ 10′ | Empathy | 59 % | 49 % | 35 % | 29 % |
| 12.5 % | ≈ 17′ | Tension | 51 % | 39 % | 25 % | 21 % |
| 17.5 % | ≈ 23′ | Love | 38 % | 26 % | 14 % | 8 % |
| 22.5 % | ≈ 30′ | Love | 37 % | 26 % | 18 % | 8 % |
| 27.5 % | ≈ 37′ | Love | 44 % | 34 % | 20 % | 16 % |
| 32.5 % | ≈ 44′ | Empathy | 46 % | 38 % | 19 % | 20 % |
| 37.5 % | ≈ 50′ | Love | 48 % | 36 % | 21 % | 21 % |
| 42.5 % | ≈ 57′ | Empathy | 56 % | 44 % | 28 % | 36 % |
| 47.5 % | ≈ 64′ | Tension | 64 % | 49 % | 31 % | 46 % |
| 52.5 % | ≈ 70′ | Tension | 68 % | 50 % | 38 % | 50 % |
| 57.5 % | ≈ 77′ | Anger | 73 % | 56 % | 41 % | 64 % |
| 62.5 % | ≈ 84′ | Anger | 76 % | 61 % | 40 % | 74 % |
| 67.5 % | ≈ 90′ | Anger | 79 % | 68 % | 45 % | 71 % |
| 72.5 % | ≈ 97′ | Empathy | 83 % | 76 % | 59 % | 68 % |
| 77.5 % | ≈ 104′ | Sadness | 83 % | 78 % | 69 % | 68 % |
| 82.5 % | ≈ 111′ | Empathy | 74 % | 71 % | 64 % | 53 % |
| 87.5 % | ≈ 117′ | Empathy | 73 % | 71 % | 64 % | 31 % |
| 92.5 % | ≈ 124′ | Sadness | 82 % | 78 % | 75 % | 28 % |
| 97.5 % | ≈ 131′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Avvocato della difesa
Silvio
(as special thanks to)
(as special thanks to)
(as special thanks to)
(as special thanks to)
Details
- Directed by
- Gianni Amelio
- Written by
- Gianni Amelio, Edoardo Petti, Federico Fava
- Type
- Movies
- Released
- 2022
- Runtime
- 134 min
- Country
- Italy
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





