Robin Hood: The True Story
2015 · 87 min · Director: Anthony Marciano
Show plot summary (may contain spoilers)
Robin des Bois, with his friend Tuck, are bad guy: they only steal poor, women and old people. They dream to get they own brothel in town, like the Pussycat. They decide to rob Nottingham's tax office, but they meet the Sherwood gang - who steal to rich to feed the poors - with the same idea in mind: Robbing the Nottingham sherif. The true story of Robin des Bois can finally begins!
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Emotional fingerprint
Robin Hood: The True Story (2015) — Movie. Top emotional signals: Humor 40%, Excitement 20%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor40%
- Excitement20%
- Surprise15%
- Satisfaction15%
- Empathy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Surprise. Genres: Comedy, Adventure. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Surprise. Its IMDb rating of 4.3/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 59/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Disgust
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Disgust |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 46 % | 43 % | 22 % | 3 % |
| 7.5 % | ≈ 7′ | Humor | 47 % | 45 % | 18 % | 9 % |
| 12.5 % | ≈ 11′ | Humor | 49 % | 46 % | 22 % | 12 % |
| 17.5 % | ≈ 15′ | Humor | 50 % | 44 % | 31 % | 7 % |
| 22.5 % | ≈ 20′ | Humor | 53 % | 46 % | 36 % | 10 % |
| 27.5 % | ≈ 24′ | Humor | 54 % | 46 % | 36 % | 17 % |
| 32.5 % | ≈ 28′ | Humor | 55 % | 51 % | 31 % | 23 % |
| 37.5 % | ≈ 33′ | Humor | 59 % | 55 % | 29 % | 30 % |
| 42.5 % | ≈ 37′ | Humor | 56 % | 49 % | 33 % | 23 % |
| 47.5 % | ≈ 41′ | Humor | 54 % | 47 % | 33 % | 16 % |
| 52.5 % | ≈ 46′ | Humor | 56 % | 49 % | 31 % | 26 % |
| 57.5 % | ≈ 50′ | Humor | 57 % | 51 % | 28 % | 29 % |
| 62.5 % | ≈ 54′ | Humor | 54 % | 48 % | 30 % | 18 % |
| 67.5 % | ≈ 59′ | Humor | 55 % | 48 % | 36 % | 11 % |
| 72.5 % | ≈ 63′ | Humor | 63 % | 59 % | 36 % | 21 % |
| 77.5 % | ≈ 67′ | Humor | 68 % | 58 % | 42 % | 29 % |
| 82.5 % | ≈ 72′ | Tension | 68 % | 48 % | 57 % | 22 % |
| 87.5 % | ≈ 76′ | Tension | 68 % | 49 % | 57 % | 14 % |
| 92.5 % | ≈ 80′ | Relief | 62 % | 51 % | 37 % | 9 % |
| 97.5 % | ≈ 85′ | Humor | 54 % | 50 % | 22 % | 7 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Petit Prince
Raoul
Colin
Robin Hood
Details
- Directed by
- Anthony Marciano
- Written by
- Max Boublil, Anthony Marciano
- Type
- Movies
- Released
- 2015
- Runtime
- 87 min
- Country
- France
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





