On the Lam
1971 · 100 min · Director: Michel Mitrani
Show plot summary (may contain spoilers)
A young couple of burglars, waiting for trial, marry in jail. Annick writes down her observations of the women's ward. When she hears that her lover must serve a twice as long prison sentence, she plans their escape.
Emotional fingerprint
On the Lam (1971) — Movie. Top emotional signals: Anxiety 30%, Empathy 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety30%
- Empathy25%
- Tension20%
- Sadness15%
- Excitement10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Empathy, Tension. Genres: Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Empathy and Tension. Its IMDb rating of 5.6/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
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Pick up to three · 0/3
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Christine
Une détenue
Details
- Directed by
- Michel Mitrani
- Written by
- Michel Mitrani, Albertine Sarrazin
- Type
- Movies
- Released
- 1971
- Runtime
- 100 min
- Country
- France
- Ratings
- Feels mostly
- Anxiety
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
