Freestyle
2022 · 89 min · Director: Didier Barcelo
Show plot summary (may contain spoilers)
One morning, Louise, 45, is suddenly unable to step out of her car. Sweats, anxieties, palpitations... she is having an inexplicable panic attack. She is tetanized and simply cannot set foot outside.
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Emotional fingerprint
Freestyle (2022) — Movie. Top emotional signals: Anxiety 40%, Fear 20%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety40%
- Fear20%
- Empathy20%
- Satisfaction10%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Fear, Empathy. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Fear and Empathy. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Fear
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Fear | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 36 % | 20 % | 3 % | 9 % |
| 7.5 % | ≈ 7′ | Humor | 38 % | 24 % | 4 % | 10 % |
| 12.5 % | ≈ 11′ | Humor | 43 % | 28 % | 6 % | 9 % |
| 17.5 % | ≈ 16′ | Tension | 46 % | 31 % | 9 % | 11 % |
| 22.5 % | ≈ 20′ | Humor | 46 % | 37 % | 11 % | 18 % |
| 27.5 % | ≈ 24′ | Tension | 47 % | 44 % | 14 % | 23 % |
| 32.5 % | ≈ 29′ | Tension | 53 % | 52 % | 23 % | 23 % |
| 37.5 % | ≈ 33′ | Tension | 66 % | 65 % | 39 % | 28 % |
| 42.5 % | ≈ 38′ | Tension | 73 % | 71 % | 48 % | 32 % |
| 47.5 % | ≈ 42′ | Tension | 76 % | 73 % | 54 % | 34 % |
| 52.5 % | ≈ 47′ | Tension | 77 % | 74 % | 56 % | 44 % |
| 57.5 % | ≈ 51′ | Empathy | 65 % | 61 % | 37 % | 44 % |
| 62.5 % | ≈ 56′ | Tension | 52 % | 46 % | 18 % | 29 % |
| 67.5 % | ≈ 60′ | Tension | 57 % | 52 % | 26 % | 30 % |
| 72.5 % | ≈ 65′ | Tension | 71 % | 69 % | 47 % | 39 % |
| 77.5 % | ≈ 69′ | Tension | 78 % | 76 % | 58 % | 40 % |
| 82.5 % | ≈ 73′ | Tension | 82 % | 80 % | 63 % | 42 % |
| 87.5 % | ≈ 78′ | Tension | 80 % | 77 % | 61 % | 41 % |
| 92.5 % | ≈ 82′ | Tension | 72 % | 67 % | 49 % | 37 % |
| 97.5 % | ≈ 87′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
La femme du Cap-Ferret
L'éboueur
La femme du campement
Le gendarme
L'employée du Quick
Le jeune
Details
- Directed by
- Didier Barcelo
- Written by
- Didier Barcelo, Marie Deshaires
- Type
- Movies
- Released
- 2022
- Runtime
- 89 min
- Country
- France
- Ratings
- Feels mostly
- Anxiety
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





