Daybreak
1939 · 93 min · Director: Marcel Carné
Show plot summary (may contain spoilers)
After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.
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Emotional fingerprint
Daybreak (1939) — Movie. Top emotional signals: Sadness 35%, Guilt 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Guilt25%
- Anxiety20%
- Melancholy15%
- Tension5%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Guilt, Anxiety. Genres: Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Guilt and Anxiety. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sadness
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sadness | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 70 % | 70 % | 27 % | 62 % |
| 7.5 % | ≈ 7′ | Tension | 69 % | 68 % | 33 % | 54 % |
| 12.5 % | ≈ 12′ | Humor | 56 % | 44 % | 25 % | 40 % |
| 17.5 % | ≈ 16′ | Humor | 50 % | 16 % | 13 % | 30 % |
| 22.5 % | ≈ 21′ | Love | 53 % | 10 % | 16 % | 30 % |
| 27.5 % | ≈ 26′ | Love | 48 % | 15 % | 21 % | 33 % |
| 32.5 % | ≈ 30′ | Humor | 44 % | 25 % | 16 % | 35 % |
| 37.5 % | ≈ 35′ | Curiosity | 51 % | 43 % | 23 % | 40 % |
| 42.5 % | ≈ 40′ | Sadness | 63 % | 59 % | 39 % | 39 % |
| 47.5 % | ≈ 44′ | Tension | 65 % | 60 % | 38 % | 34 % |
| 52.5 % | ≈ 49′ | Love | 60 % | 51 % | 26 % | 39 % |
| 57.5 % | ≈ 53′ | Curiosity | 59 % | 51 % | 26 % | 49 % |
| 62.5 % | ≈ 58′ | Tension | 63 % | 49 % | 34 % | 48 % |
| 67.5 % | ≈ 63′ | Love | 66 % | 38 % | 43 % | 38 % |
| 72.5 % | ≈ 67′ | Sadness | 71 % | 45 % | 52 % | 34 % |
| 77.5 % | ≈ 72′ | Tension | 80 % | 69 % | 63 % | 39 % |
| 82.5 % | ≈ 77′ | Sadness | 85 % | 81 % | 64 % | 43 % |
| 87.5 % | ≈ 81′ | Tension | 85 % | 81 % | 59 % | 40 % |
| 92.5 % | ≈ 86′ | Sadness | 85 % | 78 % | 63 % | 37 % |
| 97.5 % | ≈ 91′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Clara
Le commissaire
Une locataire
L'aveugle
Un agent
Un agent
Details
- Directed by
- Marcel Carné
- Written by
- Jacques Viot, Jacques Prévert
- Type
- Movies
- Released
- 1939
- Runtime
- 93 min
- Country
- France
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





