feeldb

It Came from Beneath the Sea

1955 · 79 min · Director: Robert Gordon, Robert Gordon ★ IMDb 5.8 · 7,315 ratings

Show plot summary (may contain spoilers)

A giant octopus, whose feeding habits have been affected by radiation from H-Bomb tests, rises from the Mindanao Deep to terrorize the California Coast.

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Emotional fingerprint

It Came from Beneath the Sea (1955) — Movie. Top emotional signals: Awe 30%, Fear 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

30%Awe
25%Fear
  1. Awe30%
  2. Fear25%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Awe, Fear, Excitement. Genres: Adventure, Horror, Sci-Fi. AI estimate.

Is it worth watching?

Consider this title if you are looking for Awe, Fear and Excitement. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.

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Emotional journey

AI · from subtitles
  • Tension
  • Fear
  • Curiosity

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Tension

Dominant emotion: Love

Dominant emotion: Relief

Tension
Fear
Curiosity
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 73 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionFearCuriosity
2.5 %≈ 2′Curiosity42 %34 %15 %37 %
7.5 %≈ 6′Tension57 %54 %31 %41 %
12.5 %≈ 10′Tension65 %59 %40 %45 %
17.5 %≈ 14′Curiosity53 %35 %25 %44 %
22.5 %≈ 18′Love43 %19 %10 %40 %
27.5 %≈ 22′Curiosity48 %24 %16 %48 %
32.5 %≈ 26′Curiosity50 %31 %26 %44 %
37.5 %≈ 30′Love48 %34 %25 %31 %
42.5 %≈ 34′Curiosity50 %38 %25 %40 %
47.5 %≈ 38′Curiosity50 %40 %26 %49 %
52.5 %≈ 41′Curiosity45 %36 %21 %48 %
57.5 %≈ 45′Curiosity45 %35 %21 %48 %
62.5 %≈ 49′Tension48 %43 %26 %44 %
67.5 %≈ 53′Tension54 %54 %33 %36 %
72.5 %≈ 57′Tension69 %69 %49 %26 %
77.5 %≈ 61′Tension78 %78 %63 %16 %
82.5 %≈ 65′Tension76 %76 %60 %14 %
87.5 %≈ 69′Tension79 %79 %57 %16 %
92.5 %≈ 73′Tension84 %79 %59 %15 %
97.5 %≈ 77′Relief83 %70 %52 %12 %
Cinderella

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

Kenneth Tobey

Cmdr. Pete Mathews

FD
Faith Domergue

FD
Faith Domergue

Prof. Lesley Joyce

DC
Donald Curtis

DC
Donald Curtis

Dr. John Carter

CG
Chuck Griffiths

DM
Dean Maddox Jr.

HL
Harry Lauter

Deputy Bill Nash

RW
Richard W. Peterson

Details

Directed by
Robert Gordon, Robert Gordon
Written by
George Worthing Yates, Harold Jacob Smith
Type
Movies
Released
1955
Runtime
79 min
Country
United States of America
Ratings
★ IMDb 5.8 · 7,315 ratings
Feels mostly
Awe
Data updated

Where to watch

Also on

Availability varies by country

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.