Woman of the Year
1942 · 114 min · Director: George Stevens
Show plot summary (may contain spoilers)
Rival reporters Sam Craig and Tess Harding fall in love and get married, only to find their relationship strained when Sam comes to resent Tess' hectic lifestyle.
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Emotional fingerprint
Woman of the Year (1942) — Movie. Top emotional signals: Humor 30%, Love 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Love25%
- Empathy20%
- Confusion15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Empathy. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Empathy. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Humor
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Humor | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 48 % | 5 % | 48 % | 3 % |
| 7.5 % | ≈ 9′ | Humor | 53 % | 12 % | 51 % | 8 % |
| 12.5 % | ≈ 14′ | Humor | 54 % | 18 % | 51 % | 10 % |
| 17.5 % | ≈ 20′ | Humor | 45 % | 18 % | 42 % | 11 % |
| 22.5 % | ≈ 26′ | Humor | 36 % | 21 % | 29 % | 16 % |
| 27.5 % | ≈ 31′ | Love | 45 % | 39 % | 30 % | 26 % |
| 32.5 % | ≈ 37′ | Love | 60 % | 58 % | 39 % | 38 % |
| 37.5 % | ≈ 43′ | Love | 61 % | 53 % | 44 % | 36 % |
| 42.5 % | ≈ 48′ | Humor | 53 % | 30 % | 44 % | 19 % |
| 47.5 % | ≈ 54′ | Humor | 44 % | 15 % | 39 % | 8 % |
| 52.5 % | ≈ 60′ | Humor | 39 % | 17 % | 33 % | 11 % |
| 57.5 % | ≈ 66′ | Humor | 41 % | 23 % | 26 % | 16 % |
| 62.5 % | ≈ 71′ | Tension | 51 % | 23 % | 16 % | 16 % |
| 67.5 % | ≈ 77′ | Tension | 60 % | 16 % | 8 % | 9 % |
| 72.5 % | ≈ 83′ | Sadness | 58 % | 14 % | 10 % | 10 % |
| 77.5 % | ≈ 88′ | Sadness | 51 % | 24 % | 17 % | 24 % |
| 82.5 % | ≈ 94′ | Love | 52 % | 37 % | 19 % | 35 % |
| 87.5 % | ≈ 100′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 92.5 % | ≈ 105′ | Hope | 62 % | 52 % | 42 % | 53 % |
| 97.5 % | ≈ 111′ | Hope | 63 % | 53 % | 48 % | 57 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
William J. Harding
Matron
Chris
Cab Driver (uncredited)
Stage Doorman (uncredited)
Phone Girl (uncredited)
Pal (uncredited)
Details
- Directed by
- George Stevens
- Written by
- Ring Lardner, Jr., Michael Kanin, Ring Lardner Jr.
- Type
- Movies
- Released
- 1942
- Runtime
- 114 min
- Country
- United States of America
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





