Europe '51
1952 · 118 min · Director: Roberto Rossellini
Show plot summary (may contain spoilers)
A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.
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Emotional fingerprint
Europe '51 (1952) — Movie. Top emotional signals: Sadness 30%, Guilt 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness30%
- Guilt25%
- Empathy20%
- Melancholy15%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Guilt, Empathy. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Guilt and Empathy. Its IMDb rating of 7.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 21 % | 13 % | 5 % | 17 % |
| 7.5 % | ≈ 9′ | Sadness | 34 % | 25 % | 16 % | 29 % |
| 12.5 % | ≈ 15′ | Tension | 56 % | 46 % | 35 % | 50 % |
| 17.5 % | ≈ 21′ | Sadness | 75 % | 66 % | 61 % | 55 % |
| 22.5 % | ≈ 27′ | Sadness | 85 % | 78 % | 82 % | 45 % |
| 27.5 % | ≈ 32′ | Sadness | 82 % | 77 % | 81 % | 35 % |
| 32.5 % | ≈ 38′ | Sadness | 69 % | 66 % | 61 % | 28 % |
| 37.5 % | ≈ 44′ | Empathy | 62 % | 59 % | 40 % | 29 % |
| 42.5 % | ≈ 50′ | Empathy | 60 % | 57 % | 27 % | 28 % |
| 47.5 % | ≈ 56′ | Hope | 60 % | 53 % | 27 % | 33 % |
| 52.5 % | ≈ 62′ | Tension | 63 % | 48 % | 32 % | 50 % |
| 57.5 % | ≈ 68′ | Tension | 60 % | 45 % | 32 % | 56 % |
| 62.5 % | ≈ 74′ | Tension | 63 % | 52 % | 40 % | 53 % |
| 67.5 % | ≈ 80′ | Sadness | 76 % | 65 % | 62 % | 61 % |
| 72.5 % | ≈ 86′ | Tension | 81 % | 67 % | 67 % | 71 % |
| 77.5 % | ≈ 91′ | Empathy | 76 % | 67 % | 59 % | 66 % |
| 82.5 % | ≈ 97′ | Empathy | 72 % | 69 % | 54 % | 55 % |
| 87.5 % | ≈ 103′ | Empathy | 73 % | 69 % | 50 % | 53 % |
| 92.5 % | ≈ 109′ | Empathy | 78 % | 75 % | 56 % | 56 % |
| 97.5 % | ≈ 115′ | Sadness | 85 % | 83 % | 71 % | 59 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Ines
Mrs. Puglisi
Cesira
Professor Alessandrini
Mr. Puglisi
Hospital Priest
Extra (uncredited)
Hospital Nurse (uncredited)
Details
- Directed by
- Roberto Rossellini
- Written by
- Brunello Rondi, Roberto Rossellini, Ivo Perilli, Mario Pannunzio, Sandro De Feo
- Type
- Movies
- Released
- 1952
- Runtime
- 118 min
- Country
- Italy
- Genres
- Drama
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





