feeldb

Second Origin

2015 · 102 min · Director: Carles Porta, Sergi Lara ★ IMDb 4.5 · 643 ratings

Show plot summary (may contain spoilers)

After a massive destruction on Earth, a white girl Alba (14) and a black boy Didac (9), are the only survivors on the Earth. They must start a new world. A Second Origin. Population is over. There are only two survivors. Now, our future depends on them.

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Emotional fingerprint

Second Origin (2015) — Movie. Top emotional signals: Sadness 30%, Hope 25%, Awe 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

25%Hope
20%Awe
  1. Hope25%
  2. Awe20%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Sadness, Hope, Awe. Genres: Drama, Sci-Fi. AI estimate.

Is it worth watching?

Consider this title if you are looking for Sadness, Hope and Awe. Its IMDb rating of 4.5/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Empathy
  • Tension
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Joy

Dominant emotion: Tension

Dominant emotion: Sadness

Dominant emotion: Empathy

Dominant emotion: Hope

Empathy
Tension
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 13 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityEmpathyTensionSadness
2.5 %≈ 3′Joy50 %22 %45 %10 %
7.5 %≈ 8′Tension66 %41 %56 %28 %
12.5 %≈ 13′Sadness71 %56 %56 %48 %
17.5 %≈ 18′Tension70 %61 %59 %53 %
22.5 %≈ 23′Empathy70 %65 %61 %51 %
27.5 %≈ 28′Empathy61 %55 %45 %43 %
32.5 %≈ 33′Hope56 %41 %29 %32 %
37.5 %≈ 38′Hope63 %46 %26 %39 %
42.5 %≈ 43′Sadness68 %59 %23 %54 %
47.5 %≈ 48′Sadness66 %55 %20 %50 %
52.5 %≈ 54′Hope71 %49 %35 %28 %
57.5 %≈ 59′Joy77 %55 %45 %16 %
62.5 %≈ 64′Hope76 %55 %46 %17 %
67.5 %≈ 69′Tension77 %50 %63 %21 %
72.5 %≈ 74′Tension81 %55 %78 %29 %
77.5 %≈ 79′Tension85 %61 %84 %30 %
82.5 %≈ 84′Tension88 %64 %88 %30 %
87.5 %≈ 89′Tension89 %68 %89 %43 %
92.5 %≈ 94′Tension90 %75 %70 %66 %
97.5 %≈ 99′Sadness88 %80 %35 %82 %
Icarus

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

AB
Andrés Batista

IM
Ibrahim Mané

IM
Ibrahim Mané

Didac (adult)

Details

Directed by
Carles Porta, Sergi Lara
Written by
Bigas Luna, David Victori, Marcel Barrena, Carles Porta, Carmen Chaves Gastaldo, Ross Jameson, J.A. Duran, Manuel de Pedrolo
Type
Movies
Released
2015
Runtime
102 min
Country
Spain
Genres
Drama, Sci-Fi
Ratings
★ IMDb 4.5 · 643 ratings
Feels mostly
Sadness
Data updated

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Emotion overlap shows mood similarity, not a prediction of enjoyment.