feeldb

The Twelve Chairs

1970 · 94 min · Director: Mel Brooks ★ IMDb 6.4 · 7,976 ratings

Show plot summary (may contain spoilers)

In 1920s Soviet Russia, a fallen aristocrat, a priest and a con artist search for a treasure of jewels hidden inside one of twelve dining chairs, lost during the revolution.

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Emotional fingerprint

The Twelve Chairs (1970) — Movie. Top emotional signals: Humor 35%, Excitement 25%, Curiosity 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Humor35%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Humor, Excitement, Curiosity. Genres: Comedy, Drama. AI estimate.

Is it worth watching?

Consider this title if you are looking for Humor, Excitement and Curiosity. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Humor
  • Curiosity
  • Tension

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Humor

Dominant emotion: Tension

Dominant emotion: Empathy

Humor
Curiosity
Tension
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then dips around 57 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityHumorCuriosityTension
2.5 %≈ 2′Curiosity52 %27 %47 %22 %
7.5 %≈ 7′Humor53 %41 %38 %19 %
12.5 %≈ 12′Humor56 %55 %29 %18 %
17.5 %≈ 16′Humor55 %54 %35 %21 %
22.5 %≈ 21′Humor56 %54 %45 %31 %
27.5 %≈ 26′Humor60 %56 %49 %39 %
32.5 %≈ 31′Curiosity61 %56 %51 %36 %
37.5 %≈ 35′Humor65 %57 %53 %38 %
42.5 %≈ 40′Tension69 %59 %49 %44 %
47.5 %≈ 45′Humor69 %63 %44 %38 %
52.5 %≈ 49′Humor60 %58 %41 %27 %
57.5 %≈ 54′Humor51 %49 %39 %29 %
62.5 %≈ 59′Humor54 %50 %38 %35 %
67.5 %≈ 63′Humor59 %55 %36 %35 %
72.5 %≈ 68′Humor64 %60 %36 %41 %
77.5 %≈ 73′Humor70 %65 %38 %50 %
82.5 %≈ 78′Humor68 %64 %43 %41 %
87.5 %≈ 82′Curiosity65 %50 %53 %41 %
92.5 %≈ 87′Tension71 %38 %48 %48 %
97.5 %≈ 92′Empathy73 %37 %30 %37 %
Icarus

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

Frank Langella

Ostap Bender

Dom DeLuise

Father Fyodor

AV
Andréas Voutsinas

DC
Diana Coupland

DL
David Lander

VP
Vlada Petrić

Sevitsky

EG
Elaine Garreau

Claudia Ivanovna

RB
Robert Bernal

Curator

WS
Will Stampe

Night Watchman

BB
Bridget Brice

Young Woman

NS
Nicholas Smith

Actor in Play

RĐ
Rada Đuričin

Actress in Play

BV
Branka Veselinović

Natasha

M'
Mladen 'Mlađa' Veselinović

Peasant

PB
Petar Banićević

Sergeant (uncredited)

DČ
Dejan Čavić

Orator (uncredited)

LĆ
Ljubomir Ćipranić

Extra (uncredited)

RĆ
Radmilo Ćurčić

Fat Man (uncredited)

Details

Directed by
Mel Brooks
Written by
Mel Brooks, Ilya Ilf, Doris Mudie, Yevgeni Petrov
Type
Movies
Released
1970
Runtime
94 min
Country
United States of America
Genres
Comedy, Drama
Ratings
★ IMDb 6.4 · 7,976 ratings
Feels mostly
Humor
Data updated

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Emotion overlap shows mood similarity, not a prediction of enjoyment.