Stage Door
1937 · 92 min · Director: Gregory La Cava
Show plot summary (may contain spoilers)
The ups and downs in the lives and careers of a group of ambitious young actresses and show girls from disparate backgrounds brought together in a theatrical hostel.
Emotional fingerprint
Stage Door (1937) — Movie. Top emotional signals: Humor 35%, Empathy 25%, Sadness 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Sadness. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Sadness. Its IMDb rating of 7.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Humor
- Sympathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Sympathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 55 % | 55 % | 6 % | 0 % |
| 7.5 % | ≈ 7′ | Humor | 60 % | 60 % | 8 % | 1 % |
| 12.5 % | ≈ 12′ | Humor | 59 % | 58 % | 18 % | 7 % |
| 17.5 % | ≈ 16′ | Humor | 56 % | 54 % | 24 % | 12 % |
| 22.5 % | ≈ 21′ | Humor | 54 % | 54 % | 16 % | 8 % |
| 27.5 % | ≈ 25′ | Humor | 47 % | 46 % | 16 % | 9 % |
| 32.5 % | ≈ 30′ | Humor | 43 % | 41 % | 25 % | 13 % |
| 37.5 % | ≈ 35′ | Humor | 49 % | 38 % | 34 % | 17 % |
| 42.5 % | ≈ 39′ | Sympathy | 55 % | 35 % | 39 % | 22 % |
| 47.5 % | ≈ 44′ | Humor | 54 % | 42 % | 34 % | 20 % |
| 52.5 % | ≈ 48′ | Humor | 52 % | 49 % | 29 % | 16 % |
| 57.5 % | ≈ 53′ | Humor | 52 % | 50 % | 21 % | 11 % |
| 62.5 % | ≈ 58′ | Humor | 54 % | 47 % | 21 % | 9 % |
| 67.5 % | ≈ 62′ | Joy | 59 % | 37 % | 39 % | 23 % |
| 72.5 % | ≈ 67′ | Sympathy | 60 % | 32 % | 46 % | 34 % |
| 77.5 % | ≈ 71′ | Humor | 66 % | 28 % | 50 % | 44 % |
| 82.5 % | ≈ 76′ | Sadness | 82 % | 14 % | 71 % | 70 % |
| 87.5 % | ≈ 81′ | Sadness | 89 % | 9 % | 83 % | 84 % |
| 92.5 % | ≈ 85′ | Sadness | 82 % | 28 % | 65 % | 62 % |
| 97.5 % | ≈ 90′ | Humor | 74 % | 50 % | 37 % | 31 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Stage Door. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Hattie
Mary Lou
Dizzy
Mrs. Orcutt
Details
- Directed by
- Gregory La Cava
- Written by
- Morrie Ryskind, Anthony Veiller
- Type
- Movies
- Released
- 1937
- Runtime
- 92 min
- Country
- United States of America
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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