Avenue Montaigne
2006 · 106 min · Director: Danièle Thompson
Show plot summary (may contain spoilers)
A young woman arrives in Paris where she finds a job as a waitress in bar next on Avenue Montaigne that caters to the surrounding theaters and the wealthy inhabitants of the area. She will meet a pianist, a famous actress and a great art collector, and become acquainted with the "luxurious" world her grandmother has told her about since her childhood.
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Emotional fingerprint
Avenue Montaigne (2006) — Movie. Top emotional signals: Joy 30%, Humor 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Joy30%
- Humor25%
- Love20%
- Inspiration15%
- Nostalgia10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Joy, Humor, Love. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Joy, Humor and Love. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Empathy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Melancholy
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Empathy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 40 % | 37 % | 22 % | 22 % |
| 7.5 % | ≈ 8′ | Humor | 40 % | 39 % | 20 % | 11 % |
| 12.5 % | ≈ 13′ | Humor | 41 % | 40 % | 26 % | 8 % |
| 17.5 % | ≈ 19′ | Humor | 45 % | 40 % | 35 % | 11 % |
| 22.5 % | ≈ 24′ | Humor | 46 % | 35 % | 36 % | 10 % |
| 27.5 % | ≈ 29′ | Melancholy | 41 % | 28 % | 32 % | 8 % |
| 32.5 % | ≈ 34′ | Humor | 43 % | 34 % | 30 % | 6 % |
| 37.5 % | ≈ 40′ | Humor | 50 % | 40 % | 32 % | 6 % |
| 42.5 % | ≈ 45′ | Empathy | 51 % | 30 % | 37 % | 11 % |
| 47.5 % | ≈ 50′ | Empathy | 49 % | 26 % | 36 % | 16 % |
| 52.5 % | ≈ 56′ | Humor | 46 % | 30 % | 33 % | 21 % |
| 57.5 % | ≈ 61′ | Empathy | 48 % | 30 % | 39 % | 26 % |
| 62.5 % | ≈ 66′ | Melancholy | 48 % | 31 % | 41 % | 24 % |
| 67.5 % | ≈ 72′ | Humor | 46 % | 34 % | 35 % | 16 % |
| 72.5 % | ≈ 77′ | Humor | 53 % | 43 % | 28 % | 10 % |
| 77.5 % | ≈ 82′ | Humor | 57 % | 48 % | 21 % | 10 % |
| 82.5 % | ≈ 87′ | Tension | 60 % | 38 % | 29 % | 28 % |
| 87.5 % | ≈ 93′ | Love | 65 % | 30 % | 40 % | 50 % |
| 92.5 % | ≈ 98′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 103′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Daniel Bercoff
Le commissaire priseur
Margot
La journaliste japonaise
Le chef d'orchestre
Details
- Directed by
- Danièle Thompson
- Written by
- Danièle Thompson, Christopher Thompson, Christopher Thompson
- Type
- Movies
- Released
- 2006
- Runtime
- 106 min
- Country
- Belgium, France
- Ratings
- Feels mostly
- Joy
- Data updated
Where to watch
Feels similar
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