The Swindle
1955 · 113 min · Director: Federico Fellini
Show plot summary (may contain spoilers)
Aging small-time conman Augusto works with two younger men: Roberto, who desires to become the Italian Johnny Ray, and Carlo, nicknamed Picasso. Through a series of mishaps and personal entanglements, things go badly for Augusto.
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Emotional fingerprint
The Swindle (1955) — Movie. Top emotional signals: Empathy 30%, Melancholy 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Melancholy25%
- Sadness20%
- Humor15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Melancholy, Sadness. Genres: Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Melancholy and Sadness. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 43 % | 2 % | 5 % | 20 % |
| 7.5 % | ≈ 8′ | Curiosity | 48 % | 8 % | 18 % | 29 % |
| 12.5 % | ≈ 14′ | Curiosity | 49 % | 14 % | 31 % | 34 % |
| 17.5 % | ≈ 20′ | Humor | 44 % | 11 % | 28 % | 26 % |
| 22.5 % | ≈ 25′ | Humor | 39 % | 9 % | 20 % | 21 % |
| 27.5 % | ≈ 31′ | Curiosity | 40 % | 14 % | 26 % | 28 % |
| 32.5 % | ≈ 37′ | Humor | 43 % | 15 % | 28 % | 30 % |
| 37.5 % | ≈ 42′ | Humor | 43 % | 10 % | 18 % | 26 % |
| 42.5 % | ≈ 48′ | Humor | 44 % | 11 % | 16 % | 30 % |
| 47.5 % | ≈ 54′ | Tension | 49 % | 23 % | 30 % | 40 % |
| 52.5 % | ≈ 59′ | Empathy | 53 % | 31 % | 44 % | 39 % |
| 57.5 % | ≈ 65′ | Empathy | 49 % | 26 % | 39 % | 26 % |
| 62.5 % | ≈ 71′ | Humor | 49 % | 26 % | 34 % | 28 % |
| 67.5 % | ≈ 76′ | Sadness | 53 % | 34 % | 44 % | 30 % |
| 72.5 % | ≈ 82′ | Empathy | 56 % | 34 % | 49 % | 31 % |
| 77.5 % | ≈ 88′ | Tension | 68 % | 43 % | 55 % | 48 % |
| 82.5 % | ≈ 93′ | Empathy | 76 % | 56 % | 70 % | 54 % |
| 87.5 % | ≈ 99′ | Empathy | 81 % | 63 % | 76 % | 60 % |
| 92.5 % | ≈ 105′ | Tension | 89 % | 73 % | 76 % | 73 % |
| 97.5 % | ≈ 110′ | Sadness | 93 % | 83 % | 80 % | 72 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Stella's Sister
Luciana
Maggie
Swindled Man
Saro (uncredited)
Details
- Directed by
- Federico Fellini
- Written by
- Tullio Pinelli, Federico Fellini, Ennio Flaiano
- Type
- Movies
- Released
- 1955
- Runtime
- 113 min
- Country
- France, Italy
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





