The Other Side of the Wind
2018 · 122 min · Director: Orson Welles
Show plot summary (may contain spoilers)
Surrounded by fans and sceptics, grizzled director J.J. "Jake" Hannaford returns from years abroad in Europe to a changed Hollywood, where he attempts to make his innovative comeback film. This film was started in 1970 by Orson Welles but never completed during his lifetime.
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Emotional fingerprint
The Other Side of the Wind (2018) — Movie. Top emotional signals: Confusion 30%, Curiosity 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Confusion30%
- Curiosity25%
- Melancholy20%
- Humor15%
- Surprise10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Confusion, Curiosity, Melancholy. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Confusion, Curiosity and Melancholy. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Emotional journey
- Melancholy
- Curiosity
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Melancholy
Dominant emotion: Disturbing
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Melancholy | Curiosity | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 46 % | 29 % | 45 % | 18 % |
| 7.5 % | ≈ 9′ | Curiosity | 41 % | 19 % | 40 % | 26 % |
| 12.5 % | ≈ 15′ | Curiosity | 41 % | 14 % | 39 % | 32 % |
| 17.5 % | ≈ 21′ | Humor | 45 % | 12 % | 36 % | 38 % |
| 22.5 % | ≈ 27′ | Humor | 46 % | 10 % | 31 % | 42 % |
| 27.5 % | ≈ 34′ | Humor | 43 % | 11 % | 27 % | 41 % |
| 32.5 % | ≈ 40′ | Humor | 42 % | 11 % | 22 % | 40 % |
| 37.5 % | ≈ 46′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 42.5 % | ≈ 52′ | Humor | 39 % | 22 % | 37 % | 33 % |
| 47.5 % | ≈ 58′ | Curiosity | 42 % | 28 % | 38 % | 29 % |
| 52.5 % | ≈ 64′ | Melancholy | 49 % | 29 % | 35 % | 25 % |
| 57.5 % | ≈ 70′ | Disturbing | 53 % | 21 % | 31 % | 31 % |
| 62.5 % | ≈ 76′ | Humor | 50 % | 21 % | 31 % | 35 % |
| 67.5 % | ≈ 82′ | Tension | 52 % | 28 % | 37 % | 28 % |
| 72.5 % | ≈ 88′ | Tension | 58 % | 35 % | 39 % | 23 % |
| 77.5 % | ≈ 95′ | Melancholy | 58 % | 39 % | 33 % | 28 % |
| 82.5 % | ≈ 101′ | Humor | 52 % | 36 % | 26 % | 31 % |
| 87.5 % | ≈ 107′ | Melancholy | 53 % | 40 % | 30 % | 22 % |
| 92.5 % | ≈ 113′ | Tension | 60 % | 48 % | 33 % | 11 % |
| 97.5 % | ≈ 119′ | Melancholy | 60 % | 52 % | 27 % | 5 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
The Baron
Lou Martin
Max David
Henry Jaglom
Details
- Directed by
- Orson Welles
- Written by
- Orson Welles, Oja Kodar
- Type
- Movies
- Released
- 2018
- Runtime
- 122 min
- Country
- France, Iran, United States of America
- Genres
- Drama
- Ratings
- Feels mostly
- Confusion
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.




