The Lost Honor of Katharina Blum
1975 · 104 min · Director: Margarethe von Trotta, Volker Schlöndorff
Show plot summary (may contain spoilers)
After a chance encounter with a wanted man, a woman is harassed by the police and press until she takes violent action.
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Emotional fingerprint
The Lost Honor of Katharina Blum (1975) — Movie. Top emotional signals: Anger 35%, Empathy 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anger35%
- Empathy25%
- Anxiety20%
- Sadness10%
- Disturbing10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anger, Empathy, Anxiety. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anger, Empathy and Anxiety. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sympathy
- Anger
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Anger
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Anger | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 27 % | 9 % | 3 % | 11 % |
| 7.5 % | ≈ 8′ | Tension | 42 % | 23 % | 15 % | 25 % |
| 12.5 % | ≈ 13′ | Tension | 63 % | 48 % | 39 % | 46 % |
| 17.5 % | ≈ 18′ | Sympathy | 70 % | 62 % | 55 % | 54 % |
| 22.5 % | ≈ 23′ | Sympathy | 67 % | 59 % | 58 % | 53 % |
| 27.5 % | ≈ 29′ | Anger | 64 % | 54 % | 57 % | 52 % |
| 32.5 % | ≈ 34′ | Anger | 64 % | 55 % | 55 % | 50 % |
| 37.5 % | ≈ 39′ | Sympathy | 65 % | 59 % | 48 % | 46 % |
| 42.5 % | ≈ 44′ | Sympathy | 68 % | 63 % | 49 % | 49 % |
| 47.5 % | ≈ 49′ | Sympathy | 72 % | 66 % | 59 % | 57 % |
| 52.5 % | ≈ 55′ | Sympathy | 70 % | 63 % | 61 % | 58 % |
| 57.5 % | ≈ 60′ | Anger | 64 % | 56 % | 55 % | 49 % |
| 62.5 % | ≈ 65′ | Sympathy | 65 % | 60 % | 55 % | 48 % |
| 67.5 % | ≈ 70′ | Sympathy | 71 % | 67 % | 54 % | 50 % |
| 72.5 % | ≈ 75′ | Sympathy | 66 % | 59 % | 44 % | 39 % |
| 77.5 % | ≈ 81′ | Anger | 66 % | 57 % | 48 % | 42 % |
| 82.5 % | ≈ 86′ | Sadness | 73 % | 65 % | 58 % | 54 % |
| 87.5 % | ≈ 91′ | Sympathy | 75 % | 67 % | 61 % | 59 % |
| 92.5 % | ≈ 96′ | Sympathy | 81 % | 68 % | 71 % | 71 % |
| 97.5 % | ≈ 101′ | Disturbing | 87 % | 63 % | 78 % | 82 % |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Trude Blorna
Staatsanwalt Hach
Konrad Beiters
Alois Sträubleder, Unternehmer
Frau Pletzer
Staatsanwalt Dr. Korten
Lüding, Konzernherr
Dr. Heinen
Pater Urbanus
"Scheich" Karl
Herta Scheumel
Claudia Stern
Details
- Directed by
- Margarethe von Trotta, Volker Schlöndorff
- Written by
- Margarethe von Trotta, Volker Schlöndorff, Heinrich Böll
- Type
- Movies
- Released
- 1975
- Runtime
- 104 min
- Country
- Germany
- Genres
- Drama
- Ratings
- Feels mostly
- Anger
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





