Spaghetti House
1982 · 103 min · Director: Giulio Paradisi
Show plot summary (may contain spoilers)
Three black militants kidnap the waiters in an Italian restaurant in London. Soon the victims befriend their kidnappers.
Emotional fingerprint
Spaghetti House (1982) — Movie. Top emotional signals: Empathy 30%, Anxiety 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Anxiety, Sadness. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Anxiety and Sadness. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Captain Martin
Commissioner Hutchinson
Bill
Tom
Davis
Mother
Lucia
Mallory
Cook
Cashier
Details
- Directed by
- Giulio Paradisi
- Written by
- Furio Scarpelli, Agenore Incrocci
- Type
- Movies
- Released
- 1982
- Runtime
- 103 min
- Country
- Italy
- Genres
- Drama
- Ratings
- Feels mostly
- Empathy
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
