Swing Time
1936 · 103 min · Director: George Stevens
Show plot summary (may contain spoilers)
Lucky is tricked into missing his own wedding to Margaret and has to make $25,000 so her father will allow him to marry her. He and business partner Pop go to New York where they run into dancing instructor Penny. She and Lucky form a successful dance partnership, but romance is blighted by his old attachment to Margaret and hers for Ricky.
Emotional fingerprint
Swing Time (1936) — Movie. Top emotional signals: Humor 30%, Love 25%, Joy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Love25%
- Joy20%
- Excitement15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Joy. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Joy. Its IMDb rating of 7.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Humor
- Love
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Relief
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Love | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 35 % | 33 % | 5 % | 5 % |
| 7.5 % | ≈ 8′ | Humor | 37 % | 34 % | 9 % | 5 % |
| 12.5 % | ≈ 13′ | Relief | 37 % | 32 % | 11 % | 7 % |
| 17.5 % | ≈ 18′ | Humor | 39 % | 36 % | 9 % | 6 % |
| 22.5 % | ≈ 23′ | Humor | 44 % | 41 % | 11 % | 6 % |
| 27.5 % | ≈ 28′ | Relief | 43 % | 38 % | 13 % | 10 % |
| 32.5 % | ≈ 33′ | Humor | 38 % | 33 % | 14 % | 8 % |
| 37.5 % | ≈ 39′ | Humor | 37 % | 33 % | 21 % | 7 % |
| 42.5 % | ≈ 44′ | Love | 42 % | 27 % | 22 % | 7 % |
| 47.5 % | ≈ 49′ | Tension | 45 % | 19 % | 18 % | 8 % |
| 52.5 % | ≈ 54′ | Love | 42 % | 21 % | 24 % | 8 % |
| 57.5 % | ≈ 59′ | Love | 42 % | 26 % | 37 % | 10 % |
| 62.5 % | ≈ 64′ | Love | 44 % | 26 % | 40 % | 14 % |
| 67.5 % | ≈ 70′ | Love | 41 % | 25 % | 35 % | 10 % |
| 72.5 % | ≈ 75′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 77.5 % | ≈ 80′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 82.5 % | ≈ 85′ | Sadness | 60 % | 8 % | 25 % | 52 % |
| 87.5 % | ≈ 90′ | Sadness | 60 % | 11 % | 28 % | 49 % |
| 92.5 % | ≈ 95′ | Relief | 54 % | 28 % | 21 % | 29 % |
| 97.5 % | ≈ 100′ | Humor | 51 % | 43 % | 15 % | 13 % |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Judge Watson (uncredited)
(uncredited)
(uncredited)
(uncredited)
(uncredited)
Schmidt the tailor (uncredited)
Details
- Directed by
- George Stevens
- Written by
- Allan Scott, Howard Lindsay, Erwin S. Gelsey, Allan Scott
- Type
- Movies
- Released
- 1936
- Runtime
- 103 min
- Country
- United States of America
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
