Titanic
1953 · 98 min · Director: Jean Negulesco
Show plot summary (may contain spoilers)
Unhappily married, Julia Sturges decides to go to America with her two children on the Titanic. Her husband, Richard also arranges passage on the luxury liner so as to have custody of their two children. All this fades to insignificance once the ship hits an iceberg.
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Emotional fingerprint
Titanic (1953) — Movie. Top emotional signals: Sadness 35%, Love 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Love, Tension. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Love and Tension. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Tension
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Hope
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Tension | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Hope | 24 % | 1 % | 6 % | 6 % |
| 7.5 % | ≈ 7′ | Humor | 31 % | 2 % | 10 % | 10 % |
| 12.5 % | ≈ 12′ | Humor | 40 % | 7 % | 18 % | 18 % |
| 17.5 % | ≈ 17′ | Tension | 42 % | 18 % | 27 % | 18 % |
| 22.5 % | ≈ 22′ | Sadness | 38 % | 19 % | 20 % | 14 % |
| 27.5 % | ≈ 27′ | Humor | 39 % | 13 % | 17 % | 14 % |
| 32.5 % | ≈ 32′ | Tension | 50 % | 25 % | 39 % | 15 % |
| 37.5 % | ≈ 37′ | Tension | 65 % | 48 % | 58 % | 16 % |
| 42.5 % | ≈ 42′ | Sadness | 66 % | 57 % | 47 % | 16 % |
| 47.5 % | ≈ 47′ | Sadness | 53 % | 49 % | 26 % | 12 % |
| 52.5 % | ≈ 51′ | Sadness | 43 % | 32 % | 18 % | 15 % |
| 57.5 % | ≈ 56′ | Humor | 47 % | 20 % | 27 % | 21 % |
| 62.5 % | ≈ 61′ | Tension | 65 % | 19 % | 56 % | 14 % |
| 67.5 % | ≈ 66′ | Tension | 81 % | 17 % | 80 % | 5 % |
| 72.5 % | ≈ 71′ | Tension | 86 % | 25 % | 85 % | 10 % |
| 77.5 % | ≈ 76′ | Tension | 88 % | 51 % | 84 % | 35 % |
| 82.5 % | ≈ 81′ | Sadness | 90 % | 72 % | 83 % | 57 % |
| 87.5 % | ≈ 86′ | Tension | 91 % | 79 % | 83 % | 62 % |
| 92.5 % | ≈ 91′ | Sadness | 94 % | 88 % | 79 % | 59 % |
| 97.5 % | ≈ 96′ | Sadness | 96 % | 94 % | 68 % | 43 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
John Jacob Astor
Norman Sturges (uncredited)
Ida Strauss
Details
- Directed by
- Jean Negulesco
- Written by
- Charles Brackett, Walter Reisch, Richard L. Breen
- Type
- Movies
- Released
- 1953
- Runtime
- 98 min
- Country
- United States of America
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Rent
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